It's the ottava rima in which all of the great Italian romance epics by poets -- favorite poets of Milton's like Ariosto and Tasso -- had been written.
这是弥尔顿所钟爱的所有伟大的意大利浪漫诗人,例如阿里奥斯多和塔索,曾经用过的体裁。
But it's kind of, it's in all the movies, like Christmas movies, like the movie "Big",
但它几乎出现在所有电影中,比如说圣诞节体裁的电影,像电影 "Big”,
But first we need to establish a few things about the occasion for this piece and about the genre, the literary genre of the mask in general.
但首先我们必须建立一些,关于此作品与流派,一般文学体裁《面具》的场合。
In our art music, our symphonies, concertos genres of this sort, the performer is actually much less important.
在我们的高雅音乐,像我们的交响乐,协奏曲,这类的体裁中,演奏者往往不那么重要
Though he sometimes does talk about texts that we call "literary," indeed he very often does, nevertheless Derrida's position and the logic of that position suggest that we can't really reliably discriminate among genres.
尽管他有时确实会讨论被我们称为“文学“的文本“,事实上他经常如此,然而德里达的立场和他立场的逻辑,是我们不能够明确地划分文学的体裁。
What is this genre that Wright is working with?
莱特采用的是什么样的风格和体裁?
In fact, this is an argument that's been made a number of times, and I think there's a lot of sense to it -the last eight lines of Lycidas are written in a very specific line form the Italian scheme of the ottava rima.
这是一个的确曾被无数次提到的观点,并且我也认为这个观点确实有一定道理,利西达斯的最后8行是以一种非常特殊的体裁写的,即意大利式的八行诗。
There is a genre of literature that details the lives of saints, Hagiography, but that came later and is largely something we find in the Christian era.
有种文学体裁就是专门细节记录圣人生活的,圣徒传记,不过这出现的比较晚,而且大多是在基督公元之后。
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