• Both melody and bass could have had a triplet but he chose to have the duple in the bass--the triple up above.

    旋律低音部都可以运用三连音,但是他选择低音两拍,高音三拍

    耶鲁公开课 - 聆听音乐课程节选

  • Why,when dealing with harmony and bass lines, do I want to start by focusing on popular music and then apply those principles to classical music?

    为什么在处理低音线时,我是否需要注重流行音乐然后将这些原则应用到古典乐上?

    耶鲁公开课 - 聆听音乐课程节选

  • The bass drum and the tuba or in the marching band, it would be a sousaphone they would call it, the bass drum and tuba.

    该是低音低音号,军乐队中,该是他们所说的苏萨大号,低音低音

    耶鲁公开课 - 聆听音乐课程节选

  • And then finally we could add that--the idea that maybe with a lot of electronic basses and things like that that they play--they tend to play the bass just louder.

    然后最后我们可以添加这个,一种很多电贝斯其他同类乐器演奏的方式,倾向于将低音演奏得响亮一些。

    耶鲁公开课 - 聆听音乐课程节选

  • We had that very interesting piece last time, "Polish Oxcart" where he used this principle of low sounds produce sound waves that stay forever and we hear those low sounds first and last.

    上次我们听了一段很有意思的曲子,《牛车》,当时他运用低频声音,持续时间长的原理,我们在最初最后听到的都是低音

    耶鲁公开课 - 聆听音乐课程节选

  • So sing the bass with me.

    我一起唱低音部。

    耶鲁公开课 - 聆听音乐课程节选

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