It's as if his knowledge of his own conception, his own birth, his own babyhood, is a natural knowledge.
好像他很自然地知道自己是胚胎时的故事,知道自己如何出生以及自己的童年。
and should be in charge of the storytelling, the details of the storytelling.
应该负责故事讲述以及它的细节部分。
A long process of transmission, interweaving, literary embellishment has gone into the creation of this account in Exodus 14 and 15.
经过长期的流传,混杂以及润色,就有了《出埃及记》14和15中的故事。
And we need to tell stories about this family in Mozambique, that group in Ethiopia, these people in Cambodia, and all of those sorts of things that I think to make it real.
我们需要向人们讲述他们的故事,可能是关于莫桑比克的一个家庭,或埃塞俄比亚的一个社区,还有柬埔寨的人们,以及类似的故事,让人们感受到贫困的真实存在。
Let's step back from these stories and these arguments to notice a couple of things about the way the arguments have begun to unfold.
让我们暂时先不忙讨论这些故事以及争论,来关注一下这些争论是怎样展开的。
The story of Adam and Eve and of the fall of Satan may strike us - having read or about to read Paradise Lost -- may strike us as a natural subject for Milton to have chosen for his epic poem.
弥尔顿选择了亚当夏娃以及撒旦的溃败的故事,作为他史诗的主题在我们看来--不管我们读过,还是将要读《失乐园》--都是很自然的。
Some point to the presence of Egyptian names, and customs, and religious beliefs and laws as a sign of some historical memory being preserved in these stories.
一些人指出故事中埃及名字的出现,以及风俗,宗教信仰和律法,当它们当作故事中保存的历史记忆。
This legendary birth story has important parallels in Ancient Near Eastern and other literature.
这个传奇的诞生也有对应的故事,在古代近东以及其他一些地区。
I think that just it's a story that about his family before he left and sort of how he had a very happy, joyful life with his family.
我认为这个故事记录了,他离开日本前得家庭,以及他和家人的,快乐生活。
So let me first say a little bit about the story line, and some of the themes at the beginning of Exodus, the first six or seven chapters.
首先再让我大概介绍一下故事,以及在《出埃及记》开篇中的一些主题,开始的六七章。
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