• Milton surveys the wealth of literary tradition before him, and he resists its allure without the help of any human guide.

    弥尔顿之前就调查过文学传统的宝藏,他在没有人帮助的情况下抗拒了这诱惑。

    耶鲁公开课 - 弥尔顿课程节选

  • It's a perfectly reasonable sentiment to include in an example of the particular genre that Milton is writing his mask in.

    弥尔顿的《面具》,这特别的流派中包含这个例子,是完全合理的。

    耶鲁公开课 - 弥尔顿课程节选

  • You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal.

    叶芝的诗歌亚当的诅咒里,谈论了美学理想。

    耶鲁公开课 - 现代诗歌课程节选

  • Let me just quote one other passage briefly from the second speech that he gives to the jury after his conviction.

    让我简短引用,第二场辩论时的另外段,被陪审团定罪之后。

    耶鲁公开课 - 政治哲学导论课程节选

  • But, you know, I know someone who was a teacher in a Chicago public school for decades and lost his job, teaching math to high school kids, because he is gay.

    我认识个任职于,所芝加哥公立学校几十年的老教师,被解雇了,他在高中教数学,仅仅是因为是同性恋。

    普林斯顿公开课 - 人性课程节选

  • What Gadamer does in his essay is actually an act of intellectual conservatism, it has to be admitted.

    伽达默尔文章里说的,是思想保守主义的种表现,这点必需得承认。

    耶鲁公开课 - 文学理论导论课程节选

  • He is imagining a literary form that is soaked in the stuff of social life.

    他在构想着种渗入生活的文学形式。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And so, he got hired to come to the UK, and got the job at Victoria University after bagging a Nobel in chemistry.

    后来去了英国,维多利亚大学得到份工作,这是获得诺贝尔奖之后了。

    麻省理工公开课 - 固态化学导论课程节选

  • After his mother died, and so one theory is the role in his life is his mother and his loss of her.

    母亲去世后,有种理论说,的母亲和母亲的死生活中起了重要作用。

    麻省理工公开课 - 电影哲学课程节选

  • And in Economics, a guy called Hotelling, who wrote a paper about this in 1929.

    经济学领域里,有个叫霍特林的人,他在1929为此写过篇论文

    耶鲁公开课 - 博弈论课程节选

  • He is making a claim here which is a very strong, powerful one, but which was characteristic of the Greeks and I want you to take note of it here.

    他在这里表达了种强有力的主张,同时也很具有希腊风格,我要你们着重记录这里

    耶鲁公开课 - 古希腊历史简介课程节选

  • My favorite Freud story was as he was leaving Europe during the rise of the Nazis, as he was ready to go to England from, I think, either Germany or Austria, he had to sign a letter from the Gestapo.

    我最喜欢的关于弗洛伊德的故事是这样的,他在纳粹兴起之际逃离欧洲,正准备逃到英格兰去,我想应该是从德国或者是奥地利出发,盖世太保逼迫签署了份文件。

    耶鲁公开课 - 心理学导论课程节选

  • He published a treatise that he had written earlier on grammar, inventing his own system for the understanding and the learning of the Latin language.

    发表了之前写的关于语法的论文,这篇论文中创建了自己的套理解和学习,拉丁文的体系。

    耶鲁公开课 - 弥尔顿课程节选

  • And this is related to Yeats's idea that the poet and this is something he wrote about in the prose that the poet is more type than man.

    这和叶芝关于诗人的观点,他在一篇散文里提到的,诗人更多是形象而不是个人。

    耶鲁公开课 - 现代诗歌课程节选

  • You can think of it as this reaction to the problem of lateness that accounts for one of the invocation's most distinctive features, and that's the repetition of the word "first."

    你们可以把弥尔顿这首诗中对“晚“的回应,当做这首诗最明显的特征之,这表现反复使用“初/先“词上“

    耶鲁公开课 - 弥尔顿课程节选

  • He's introducing the reader to a mode of vision different from the vision typically permitted him from within the poem's more or less straightforward, linear, narrative boundaries.

    他在向读者介绍种不同于这首诗里,直白的线状叙述的界限,或多或少已经容许,显露出的设想有所不同的先见之明。

    耶鲁公开课 - 弥尔顿课程节选

  • Hobbes in the Hobbesian doctrine of sovereignty, or the Hobbesian sovereign, to have a complete monopoly of power within his given territory.

    的君主学说,或是霍布斯式的君主论中,霍布斯认为,特定的领土中,存种绝对的权利。

    耶鲁公开课 - 政治哲学导论课程节选

  • For one thing, he didn't invent a sort of image, he invented a story wrote and collaborated on the plot of Citizen Kane.

    并没有创造种形象,他在《公民凯恩》的情节中,创造了种角色的合作关系。

    麻省理工公开课 - 电影哲学课程节选

  • He goes on in this vein for that whole paragraph if you just skim down.

    如果跳过下面这些行读下去会看到延续了这脉络。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • He would have been what Nietzsche in an interesting precursor text calls "historical man."

    就像是尼采篇有趣的,有关先驱者的文章里提到的“历史上的人“

    耶鲁公开课 - 文学理论导论课程节选

  • If his father resigns himself to Richard's subterfuge, his mother does not, and this is on page 12. He says: I had had my first triumph over my father.

    击败父亲的同时,母亲以另种方式教训第十二页,说:,“遵从父亲所说的让我第次战胜了

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I live on the second floor, he lives on the first floor.

    我住二层,在一层。

    普林斯顿公开课 - 人性课程节选

  • For example, there was Nader in the election in well I guess he was there in the other one as well but he was particularly there in 2000.

    例如,纳德也参与到了那次大选,我猜另外场选举中,但很显然也参加了2000年的大选

    耶鲁公开课 - 博弈论课程节选

  • But in fact, in his own way, he's talking about his inability ; to keep his child alive there; in a kind of metaphorical way, speaking of his failure to build a fence to last.

    但事实上,以自己的方式,他在诉说自己的无能,不能让孩子活下来;,以种象征性的方式,谈论自己不能制作出那的栅栏。

    耶鲁公开课 - 现代诗歌课程节选

  • One of the most intriguing aspects of this amazing passage is the fact that the fragmentation that Milton is describing, and on some level even enacting, is something that he seems to be celebrating here.

    这令人惊奇的段中最吸引人的地方就是,弥尔顿描述的或是在一定程度,上演绎的碎片,似乎是他在这里赞颂的部分。

    耶鲁公开课 - 弥尔顿课程节选

  • Gives you a little sense of Hobbes' spirit, his humor, the wry wit that becomes apparent on almost every page of this book, but you have to be a careful reader.

    这体现了部分霍布斯的精神,的幽默感,的诙谐风趣,而这些也明显体现的每页书里,你们必须非常仔细地读。

    耶鲁公开课 - 政治哲学导论课程节选

  • You found, I don't remember his stagefright Well, I think there was one moment in his scene like he's standing in front of a crowd, it is supposed to be on a ship, I think.

    我不记得怯场,我想镜头中有次,好想在一群人当中,我觉得应该是在一艘船上。

    麻省理工公开课 - 电影哲学课程节选

  • There then follows in that last section a kind of comic conclusion where the poet chooses to side with Homer, and implicitly with poetry, against the theologian Von Hugel who's a kind of comic figure at the end there.

    诗歌最后节,是段滑稽的结束语,其中诗人支持荷马,也暗示着赞同荷马的诗,反对神学家,冯。林格尔,他在这是个喜剧人物。

    耶鲁公开课 - 现代诗歌课程节选

  • So just to give an example, if he goes through the hard pass and you defend the hard pass, he loses one of those battalions going over the mountains and the other one because he meets you.

    举个例子吧,如果入侵者与你崎岖之途上狭路相逢,他在翻越山岭时损失营,与你交战再损失

    耶鲁公开课 - 博弈论课程节选

  • We never sell the wine before its time, something like that. On television, in different acting roles, he would take any worthless role in somebody's movie just because there was such a large fee, and he will pour that into his movies.

    之前人们对这种酒闻所未闻,电视上,饰演,不同的角色时,他在一些电影中做不起眼的角色,因为这可以,赚到大笔钱,然后可以投到自己的电影中。

    麻省理工公开课 - 电影哲学课程节选

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