Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.
哈罗德·布卢姆写道,我认为他说得对极了,他说弥尔顿,在《失乐园》的开头对这些“晚“进行了有力的辩护。
Warren Buffett doesn't do splits with his Berkshire Hathaway and there are other companies that-- I guess Google doesn't do splits, isn't that right?
沃伦·巴菲特并没有对,他的伯克希尔哈撒韦做股票分割,但其他一些公司,谷歌也是不做分割的,对吧
This is Haber. He got the Nobel in 1918.
这是哈伯,他于1918年获得诺贝尔奖。
Peek-a-boo." "Oh, there he is. " "He's gone."
躲猫猫","哈,他回来了","他又不见了"
And this point-- that it is culture rather than acoustics-- was brought home to me once in a discussion with a student here at Yale who said to me, "Yeah, but over there at the Slifka Center, we Jews have lots of happy melodies and they are all in minor--what you would call minor."
还有一点,大小调是文化差异,而非声学,有个耶鲁的学生上我家里去讨论,他对我说,哈,就在这个斯利夫卡中心,我们犹太人有很多快乐的旋律,都是小调,就是你说的那种小调
This is Sal's story about Big Slim Hazard, a hobo that he once knew.
这是Sal和大长哈泽的故事,哈泽是他认识的一个流浪汉。
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