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He serves as something like a complicated double for the young, unpublished, and as of yet unproductive poet himself.
他就像一个复杂的替身，是那些年轻的，还没出版诗歌或是不多产的诗人自己的替身。
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He's postponing his publication because it's his job really to consider the master's great commandment all the more closely.
他推迟了自己作品的出版因为,他需要更准确的考虑主人伟大的戒律。
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So, there are multiple ways, at multiple levels, that Nabokov is defending his work in this afterword. For one thing, he insults the publishers.
因此，在这篇后记中，纳博科夫在多种不同层面上,为他的作品辩护，一方面，他侮辱他的出版商。
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The title of that book, published in 1914, and the one that more than any other made him famous, locates his subjects in a specific geography.
这本书的名称，1914年出版，是这本书让他出名的，把他的主题放在一个具体的地理位置上。
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913 And, he didn't publish anything related to the Lewis structure until about 1912 or 1913.
直到1912或,他都没有出版任,何与路易斯结构式有关的东西。
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He expanded upon them; he publicized them; he developed them scientifically and presented them both to the scientific community and to the popular community.
他扩展了先前的观点;,并将它们出版发行;,他科学地发展了这些观点,并同时将这些观点呈现给了,学术界和社会大众。
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To become the biggest publishing monolith in the world, it takes maybe a hundred years, so his father in Australia started buying up newspapers.
要成为出版业内最大的垄断商,也许要花一百年,他的父亲在澳大利亚,就开始收购各类报纸
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Hobbes returned to England the same year of the book's publication, and spent most of the rest of his long life, Leviathan was written well into his 60s.
霍布斯回到了英国,在他书出版的那年，他度过了他剩下的漫长的时光，《利维坦》在他60多岁的时候写成。
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In Alexis de Tocqueville's great Democracy in America, which he published in 1831,or published in 1837, after his famous nine-month tour of the United States the most famous book, travel book, ever written about America, by a foreigner.
亚利西斯·德·托克维尔的著作《美国民主》,在1831年,或者1837年出版,这是本他在美国周游了九个月之后,写成的游记,在所有由外国作家执笔,所著的关于美国的书中享有盛誉
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It wasn't until 1645 at the age of thirty-six or thirty-seven that Milton would publish his first volume of poems, which he titled simply Poems.
直到1645年他36或37时,弥尔顿才出版了第一部诗集，就叫《弥尔顿十四行诗集》
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So he had published Native Son in 1940 to great acclaim, a very successful novel.
他在1940年出版了《土生子》，广受好评，是一部很成功的小说。
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Now when Milton publishes this poem, he makes it clear that it was written at age nineteen.
那时当弥尔顿要出版诗歌的时候，他就清楚自己是在19岁时写的。
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So in Milton's argument against licensing, the coexistence of so many conflicting opinions and beliefs.
所以在弥尔顿反对出版许可的论点中，他支持很多不同的观点和信念的共存。
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Nabokov cannot meet his reader on the misty mountain ; because somebody has to agree to publish this book first; it has to exist in the world before that reader can meet it.
然而纳博科夫却不能在这座巅峰上与他的读者相遇,因为在那之前必须有人先同意出版那本书;,在读者遇到那座山峰之前，它必须首先存在。
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He positions pro-censorship argument alongside anti-censorship rhetoric or metaphor, and there are dozens of moments in which it's just these opposites that are being asked to coexist in some kind of peace.
他把支持控制出版的论点和反对控制出版的修辞和,比喻放在一起，有无数次这样的对立,被要求和平共处在一起。
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I think that Milton intends for us to think of the verse in Paradise Lost as he wanted us to think of books in Areopagitica: the lines of Milton's poetry are not absolutely dead things, but they do contain within them a potency of life.
弥尔顿在《论出版自由中》让我们把书看作是肉体,我想他也想让我们这样看待《失乐园》的诗句：,弥尔顿的诗句不是毫无生气的，它们蕴含着生命的潜质。
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He didn't publish these notes.
他没有将其出版。
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It's in response to what seems to have been an aesthetic reaction to the poem that the printer of Paradise Lost asked Milton, went back to Milton and asked him to append a note to the book's second printing -- to append a note that explains why the poem rhymes not.
这是弥尔顿对《失乐园》的出版商的答复,出版商问弥尔顿关于此诗的美学问题，他找到弥尔顿，让他给此诗的第二次印刷附一个,注解--附个注解解释这诗为什么不押韵。
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He was 63 when it was published.
出版的时候他63岁。
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Now in 1644 when he wrote the Areopagitica, Milton may have forgotten that Spenser's Guyon did in fact descend in to hell without the help of his teacher, the palmer.
644年他在《论出版自由》中写道，弥尔顿可能忘记斯潘塞笔下的盖恩事实上是在,没有自己的老师朝圣者的帮助下进入贪神之洞的。
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So Lycidas was published along, as you know, with the other poems about Edward King in 1637, but Milton himself publishes the poem a second time in his own volume of poems that he publishes in 1645.
是和1637年其他写到爱德华金的诗，一道出版的，但是弥尔顿自己又把这首诗,在他1645年出版的个人诗集里刊登了一次。
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This is--I'm showing here U.S. data, but Siegel also argues in the latest edition that the equity premium is also high for advanced countries over the whole world.
这就是。。。我在这展示的是美国的数据，但是西格尔在他最新出版的书中讨论道,在世界范围内许多发达国家的,股票溢价同样很高。
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God's forbidding of the fruit removes from Adam and Eve any capacity for choosing and deciding, and you can see Milton worrying in Areopagitica about the uneasy relationship of his own argument to this central text in divine scripture.
上帝对果实的禁止抽离了亚当和夏娃选择和决定的,能力，你会看到弥尔顿在《论出版自由》中的焦急,因为这不安的关系,他的论证和虔诚的圣典中的中心段落。
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He wants to keep anticipating producing the great speech, ; which is exactly what the Lady has been doing; but on the other hand Milton's possessed of a competing desire to speak and to speak now -- to publish, to succeed, to consummate his talents.
他想要一直预先准备好伟大的演说，这也正是女士一直在做的;,但是另一方面，弥尔顿也有强烈矛盾地的欲望想要,演说--立即演说，想要出版，成功，最大程度发挥他的才能。
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The essay that you read was produced at the behest of his French publisher. They wanted him to write something that would make people feel better about the book, that would give some account of its origin and give some defense for its publication and its content.
你们所读到的那篇短文就是在法国出版商的要求下写的,他们希望他写些什么来让人们对这本书产生更多的好感,来交待这本书的缘起,并且为它的内容和它的出版进行辩护。
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And I can only assume that that is precisely the point, that Milton would -- later in 1667 when Paradise Lost is published, he would make his poem canonical just like The Iliad and just like The Odyssey and The Aeneid before anyone had actually read it.
我只能假设就是为了这点，当他在1667年出版《失乐园》后，弥尔顿会遵照《伊利亚特》的模式来创作诗歌,还有《奥德赛》和《埃涅阿斯纪》,在这之前人们还没有真正的读过这些书。
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Milton explains that the Licensing Order of 1643 is ineffective, it's useless because, and I'm quoting here, " order avails nothing to the suppressing of scandalous, seditious, and libellous books, which were mainly intended to be suppressed."
弥尔顿解释说《出版管制法》毫无作用，一无是处，我引用他的话说原因“,因为这个管制法对控制诽谤性的，有煽动性的，中伤他人的需要被控制的书籍毫无用处“
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While Milton wrote most of the mask in 1634, he published it in 1637, and it's at this point three years later that he seems to have inserted into the Lady's speech, and also elsewhere in the poem, certain lines for the published version.
弥尔顿在1634年写了《面具》的大部分，他于1637年出版，就是在三年后,他似乎在印刷版女士的演讲中，或者在诗篇的其他地方插入了一些行。
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His father wrote for revolutionary newspapers, He was assassinated in 1922 in Europe on account of his publishing activities.
他父亲为一些革命报纸写作，因为他的出版活动,他在1922年于欧洲遇害。
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In fact, he even claims -- and he does this explicitly in Areopagitica he even claims to be in favor of censorship in a number of cases.
实际上，他更声明并且明确地在《论出版自由》中,他更在一些案例中声明他支持出版控制。
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