Derrida, as I said, believes in a kind of seamless web of discourse or discursivity. We are awash in discourse.

德里达，我说过，他相信有一种无缝的网,存在于论述或推论中，我们在论述中是处于同一水平线的。

耶鲁公开课 - 文学理论导论课程节选

This is Sarah Darkley and Michelle, political science of Wellesley, third year and introduction of the vedio production that's interesting.

这是莎拉·达克利的纸条,还有米歇尔就读于威尔斯利大学，政治科学系，大三学生,她的纸条上介绍了录像制作方法,那很有意思。

麻省理工公开课 - 电影哲学课程节选

That's what makes it so different from Gadamer's conservative continuous traditional canon.

这就是让它不同于,葛达玛保守的连续性传统标准之处。

耶鲁公开课 - 文学理论导论课程节选

Now, the situation of the Israelites in Egypt, the text says, remains bitter. Exodus 2:23-24: ; "The Israelites were groaning under the bondage, and cried out; And their cry for help from the bondage rose up to God.

以色列人在埃及的境况，文中说，仍然很艰苦，《出埃及记》第2章23到24节：,“以色列人因作苦工，就叹息哀求;,他们的哀声达于神。

耶鲁公开课 - 旧约导论课程节选

Lycidas was drowned. His remains are unrecoverable.

利西达斯溺死于大海，他的遗骸已经找不到了。

耶鲁公开课 - 弥尔顿课程节选

Living in Florence, the center of the Renaissance at the height of the Renaissance, Machiavelli wished to do for politics what his contemporaries, like Leonardo da Vinci and Michelangelo, had done for art and sculpture.

住在佛罗伦萨，这个文艺复兴时期的核心,且是在文艺复兴的鼎盛时期，马奇亚维利想在政治上,达到像同辈，如达文西和米开朗基罗，于艺术与雕刻方面的成就。

耶鲁公开课 - 政治哲学导论课程节选

Bitter constraint, and sad occasion dear, Compels me to disturb your season due: For Lycidas is dead, dead ere his prime... Milton is lamenting, once again, that Milton has been compelled to begin writing.

因为亲友的惨遇，痛苦的重压，迫使我前来扰乱你正茂的年华：,利西达斯死了，死于峥嵘岁月。,弥尔顿再一次哀叹道，他是不得以写这首诗的。

耶鲁公开课 - 弥尔顿课程节选