In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.

在英国现代主义萌芽于1900年左右，体现在亨利·詹姆斯,的后期小说，艾略特和艾兹拉·庞德的诗歌上。

耶鲁公开课 - 1945年后的美国小说课程节选

So, today we find ourselves in a very different novelistic world than we've been in for the last week and a half: On the Road.

今天我们将置身于一个完全不同于上周的,小说的世界：《在路上》

耶鲁公开课 - 1945年后的美国小说课程节选

Well, now maybe the important thing is to allow Brooks to comment on that so that you can see how he makes use of Freud's idea and move us a little bit closer to the application of these ideas to the structure of a literary plot or of a fictional plot.

现在最重要的事是允许布鲁克斯对此加以评论,这样一来你们就能看到他是怎样运用弗洛伊德的观点,并且进一步将其运用于,文学情节或小说情节的结构中去。

耶鲁公开课 - 文学理论导论课程节选

Whatever you think those are. Here, you might imagine different people disagreeing about-- oh, but throw in something--but if what you want to do is write the great American novel, then you've got the experience of staying up late at night not knowing how to make the plot work out, crushing pieces of paper and throwing them away.

你能想到的都在里面，可能有人不同意-,插入某某东西，比如你想,创作最伟大的美国小说，于是你获得熬夜的体验,纠结于如何构建情节，撕碎稿纸，扔在一边。

耶鲁公开课 - 死亡课程节选

It was written in 1951 and it was published in 1957 by Viking.

这本小说是于1951年写成，1957年Viking出版的。

耶鲁公开课 - 1945年后的美国小说课程节选