The metropolis which uproots people, takes them away, takes them out of traditional cultures, also uproots traditional religious belief and practices.
人们扎根,随之漂流的都市,将他们从传统文化中剥离出来,同时也将那些传统的信仰与实践根除。
In a way, there's a subset of questions that arises from those, to the effect that this is, of course, what we'll be taking up next time: the question "What is an author?"
从这些大问题中又会产生一些小问题,这些问题也将是我们以后会讨论的:,关于文学的缘由,我们接着又会问,“作者是谁?“
The total energy of the system, which we are going to get from postulate number four, which says the energy of the electron, which is the energy of the system, is the sum of the kinetic and the potential energy.
这个系统的总能量,也就是我们将从第四个假设中算出的能量,也就是电子运动产生的能量,也就是整个系统的能量,是动能和位能的总和。
du So, we can also write delta u as integral from 1 to 2 of du.
我们也可以将Δu写成,从1到2的积分。
So he moves, as the libertarians later would move, from the idea that we own ourselves, that we have property in our persons to the closely connected idea that we own our own labor.
因此他更进一步,自由主义者此后也将如此,从自我拥有的观点,从我们拥有自我所有权,更进一步,到与之紧密关联的,我们拥有自己劳动的观点。
So in this 40-minute interval we've gone sort of through an emotional musical journey here from despair, despondency, uncertainty, to whatever- to personal triumph, and in a way that mirrors some of the things that were going on in Beethoven's life.
在这四十分钟的乐曲里,我们走完了一趟情感丰富的音乐旅程,从消沉沮丧,到半信半疑,再到个人胜利,其实在某种意义上也反映了事实,贝多芬的人生,也将经历相似的历程
I'm using it as an abstraction, saying I'm going to have square root from somewhere, maybe I'll build it myself, maybe somebody gives it to me a s part of a library, so I'm burying the details inside of it.
我把这个方法作为一个抽象来引用,意味着我将会从另外一个,地方去求一个数的平方根,可能我会自己写这个方法,也可能我会从别人写的lib中去引用,因此我将实现的细节放到了其他地方。
This moment is also striking because Milton has lifted this entire scene of this interruption from somewhere else.
这一刻给人印象深刻,也在于弥尔顿从别处完完整整地,将这段打断的场景借鉴而来。
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