• So the reasons for this really enormous shift in plans, and the enormous shift in subject matter, are worth exploring.

    弥尔顿的计划变化为何如此大,他对主题的选择为何有这么大的改变,是值得探究的。

    耶鲁公开课 - 弥尔顿课程节选

  • There are of course, important ways in which Israel's use of the storm god motif diverges from that of other Ancient Near Eastern stories.

    当然,犹太人对暴风主题的利用,和古代东方的故事,在很多方面有很大的不同。

    耶鲁公开课 - 旧约导论课程节选

  • He was long in choosing the subject of his heroic song and, as we know from all of -- and we've encountered a number of them - all of those protestations of delay Milton began his epic late.

    他久久未能确定他要写的英雄歌的主题,这我们从从弥尔顿多次声言,自己的史诗动笔很晚就能看出。

    耶鲁公开课 - 弥尔顿课程节选

  • So, we are going to cover a very, very wide range of topics including brains, children, language, sex, memory, madness, disgust, racism and love, and many others.

    因此我们讨论的主题会非常广泛,其中囊括了大脑,儿童,语言,性,记忆,狂躁,厌恶,歧视以及爱恋等等

    耶鲁公开课 - 心理学导论课程节选

  • Is it a book about what we today might call moral psychology ? and the right ordering of the human soul, which is a prominent theme addressed in this work?

    或是一本,我们在今日所谓道德心理学,及人类灵魂正义规范的书,因这些重要的主题正是本作品所大量陈述?

    耶鲁公开课 - 政治哲学导论课程节选

  • This much, by the way, Wimsatt has in common with Gadamer, because Gadamer doesn't talk much about authors either, and Gadamer is interested in what he calls meaning, the subject matter, die Sache. Right? He's not interested in your sort of expression of that meaning or my expression of that meaning.

    顺便说一句,文萨特和葛达玛很大相同处就在于,葛达玛也不太强调作者的作用,而是对文章的含义,主题感兴趣,不是吗?,他不关注作品在用,你的还是我的表达方式来表现内涵。

    耶鲁公开课 - 文学理论导论课程节选

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