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So for example I defined p, remember back over here, as a Cartesian point, but I can actually ask for its polar form.
我可以要求返回它的极坐标形式，这里对我是可访问的，好，这很棒，请再记另外一个为什么。
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But for me, I like to look at something and just say, "I like this. I don't really know why though."
但对我来说，我喜欢看着某个东西，然后说，“我喜欢这个。但我也不知道为什么。”
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I said that if I was really hygienic, and you can now wonder about how often do I shower?
但是这真的很棒，对不对？,那么为什么我要说这些呢？,我说过如果我真的很讲卫生的话？
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You didn't know who wrote it, where, when, how, why, and someone says to you, "I want you to draw some conclusions about that piece of writing.
你不知道是谁，在哪里，什么时间，怎么样，为什么要写,然后你被要求对篇文章，做一个总结。
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And this is line 679: Why should you be so cruel to yourself, And to those dainty limbs which nature lent For gentle usage and soft delicacy?
在第679行：，你为什么要对自己那么残忍，对于大自然赋予我们的四肢,只文雅的使用和温和的对待佳肴？
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Now why--and here is the question why do we get this nervousness about the relationship between what I know and how I know it arising at this moment?
问题是,为什么那时候我们对,我知道什么和我如何知道的关系如此神经紧张？
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This quantity is exactly zero for an ideal gas and we'll discover why eventually it has to do with what we mean by an ideal gas it turns out.
对理想气体它是零,这点我们接下来会知道是,为什么，这与为什么我们叫它理想气体有关。
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The fact that the picture is a little prettier on the far right is testament to the fact that I'm sorting the left half, the left half, the left half, and that's why you get these little triangles, triangles, triangles, that then get merged together.
可以看到最右边的画面,变化很快,先对左半部分排序，然后再左半部分，这就是为什么会有这些小三角形，最后再将它们合并起来。
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Now, if we make these distinctions, then again, remembering that the question we've been asking ourselves is, ?" "So why is death bad?"
作出这些区分之后，我们再讨论,我们对自己提出的问题，“为什么死亡是坏事“
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Why does this seem the proper interpretation ? to engage in these kinds of conversations?
为什么对从事这类对话来说,这似乎是合宜的解释？
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Well part of it is that we get very-- We get a sort of jealousy of these people because why should someone have billions of dollars?
我们也许会有点...,我们会对这些人有一种仇富的情绪,为什么有人成了亿万富翁
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So I'm really just interested in how filmmakers make films for what motive they have in common, why they make them and how they choose to present reality.
所以我对电影制作者们,在制作电影时有没有什么共同的动机,他们为什么要制作电影，如何用电影反映现实,等方面很感兴趣。
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Yeah, so you're asking, if for example, why do you need a booster of tetanus, because if I get exposed to tetanus wouldn't I have this rapid response?
所以你会问,举个例子来说,已经感染过破伤风杆菌的人,为什么仍然需要接种破伤风疫苗,身体不是应该马上对该病菌做出应答吗
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And you could imagine why that might be true.
你可以思考为什么这样说对呢。
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Why is it transparent to visible light?
为什么对可见光透明呢？
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So, it's motivated by a huge blindness about the racial history of the United States in any of its detail. That sense of the oneness, I think, points to why and how he makes that illusion, the oneness.
所以这是由对美国种族历史,及其细节部分的极大无知所推动的，这样的一种同一性，我想表明了他为什么及怎样产生了那一幻觉，那种同一性。
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And if we also ask the positive question, then some new possibilities,new quests open up, just like they did for the researchers when they started to ask ?" no longer "why do so many individuals fail?"
如果我们也问积极问题，那就会出现新的可能性，新的探索，就像他们对研究学者所问的一样,不再问“为什么有这么多人堕落“
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So the woman, I have immediately forgotten the name of, in the red shirt, whose name was Courtney, so Courtney also gave a reason for choosing Alpha, and it was a perfectly good reason for choosing Alpha, nothing wrong with it, but notice that this reason's a stronger reason.
我忘记刚才那位女士的名字了,穿红色衬衫的那位,她叫考特尼,对,考特尼也说了她为什么选α,她也有不错的理由来选α,这本身没错,但是呢,这个理由显得更充分
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And I'm very interested in what happened in the French suburbs two years ago; in fact, I wrote an instant article on it for an encyclopedia because some of the work I'd earlier done was about why French suburbs and European suburbs are different than American suburbs.
我对两年前,在法国郊区的事很感兴趣,其实我当时就给一个百科全书,写了一篇文章,因为我以前研究过,为什么法国和欧洲的郊区,与美国郊区有这么大的差别
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The problem with that answer is before you say something is scripture, you have to say why is it scripture,for whom is it scripture, and what does that mean?
这个回答的问题在于,在把某样东西定义为圣典前，必须明确为什么，对谁来说是圣典，那是什么意思？
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So in fact, what does that suggest about the order of growth here? What is the complexity of this? Yeah. Logarithmic. Why?
复杂度是多少？,对的，对数级的么？，为什么呢？,学生：对数级的？
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We can't possibly know what the author meant except on the basis of our determination of the meaning of the text, so why not just focus our attention to meaning on the text?
我们无法知道作者是什么意思,除非以我们对文本意思的分析为基础，因此，为什么不仅仅将我们的注意力,集中在文本的意思上呢？
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Why don't we give Philip both the matching pair and give you each a pair of socks since he didn't get to wear this one, they are brand new, in fact, and a big round of applause for what I'm sure is a little difficult.
我们为什么不给飞利浦一双配对的袜子,给你们每人一双袜子,他还没穿这双袜子，所以这双还算是全新的，再次以热烈的掌声对他们表示感谢,这样的模仿还是有一些难度的。
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That's why it's using set braces, so don't worry about that.
这也是为什么字典用了集合的括号的原因，因此对这一点不用担心。
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Now I am mentioning these dates here because the dates on which Milton wrote and published his poems, the temporal sequence of these publications, have a peculiar and particular importance for the poet.
我为什么要在这里提到这些日期,因为创作和出版诗的日期，和当时的顺序，对一个诗人有特殊的重要性。
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It's in response to what seems to have been an aesthetic reaction to the poem that the printer of Paradise Lost asked Milton, went back to Milton and asked him to append a note to the book's second printing -- to append a note that explains why the poem rhymes not.
这是弥尔顿对《失乐园》的出版商的答复,出版商问弥尔顿关于此诗的美学问题，他找到弥尔顿，让他给此诗的第二次印刷附一个,注解--附个注解解释这诗为什么不押韵。
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One of the reasons why the Milgram experiment is so nice to know is that if this ever happens to you, not as an experiment but in real life, it will no longer be new to you.
其中一个原因,为什么我们都应该知道米尔格林姆实验,就是如果这种情况发生在你身上，我不是说实验，而是在现实生活中，你不再对这种情况一无所知。
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Right. I just think when he went abroad, he wasn't respected that he lost self-esteem. And so I think that's why.
对，我想当他在国外的时候，他没有得到十分的尊重因而丧失了自尊,我觉得这也是为什么。
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Why do you have confidence putting it in contact with one of the most important organs of your body?
为什么你对它有信心,让它接触,你身上最重要的器官
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