• And what I want to read to you is this passage on page 7: I was lost in a fog of fear.

    我想给大家,念一下第七:,“我在充满恐惧的迷雾迷失。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Let's look at what is, for me, the most gripping example of this kind of poem: "Home Burial," on page 204.

    我们来看看,我认为,这类诗最引人注意的例子:,“家冢“,在204

    耶鲁公开课 - 现代诗歌课程节选

  • On 231, just to add to this catalog--we have murdered, abandoned, neglected children--we also have police brutality.

    在231,就是为了加些内容到这个目录,我们看到了谋杀,抛弃,忽视儿童,我们还读到了警察的残忍,让我看一下231

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So the period of the exile is the sixth century, the bulk of the middle of the sixth century.

    那么六世纪的流放期,六世纪中页的大部分时期。

    耶鲁公开课 - 旧约导论课程节选

  • Using the material you've learned in class, you'll be expected to answer some big questions for an 8-page final paper that you'll turn in at a date to be assigned.

    运用你在课堂上学到的材料,在8论文回答某些大问题,然后准时交给我。

    耶鲁公开课 - 新约课程节选

  • But then, page eight, also in chapter two, he argues that it is possible for a utilitarian to distinguish higher from lower pleasures.

    但在第八,即第二章,他提出功利主义者可以区分,高级和低级快乐。

    耶鲁公开课 - 公正课程节选

  • Questions of good and bad, virtue and vice, appear on virtually every page of The Prince.

    善恶,美德与邪恶的问题,几乎出现在《君王论》的每一的篇幅

    耶鲁公开课 - 政治哲学导论课程节选

  • There are some passages in Areopagitica that I would be remiss to overlook, so I'm going to ask you to turn to page 739 in the Hughes.

    论出版自由》的段落有一些我忽略了,你们把书翻到739休斯。

    耶鲁公开课 - 弥尔顿课程节选

  • If you collapse data, as we did in this one paper, across all developed and developing countries here's what we're expecting in the next twenty-five years.

    如果想改变这个情况,就像这幻灯片指出的,改变所有发达国家和发展国家,对未来二十五年的情况的预期

    耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

  • There's a whole, a-75-page chapter on Hitchcock which is crucial in the book, we'll explain all that to you And in the first chapter on Hitchcock there's a considerable discussion of Psycho.

    关于希契科克的那一章有75之长,在这书是关键的一章,我会给你们讲解,在关于希契科克的那一章里,有很多对于《精神病患者》的论述。

    麻省理工公开课 - 电影哲学课程节选

  • The stance that I'm trying to describe, which is a kind of ambivalent and complicated one, emerges powerfully in the poem "Easter, 1916," on page 105 in this book.

    我想阐明他的这种态度,他的心情是复杂矛盾的,这强烈体现于他诗歌“,本书105《1916,复活节》

    耶鲁公开课 - 现代诗歌课程节选

  • On 223 we find out that Mona, Lolita's friend from the play, her baby sibling--we're not told whether it's a boy or girl--dies, and we see it in one of those parentheticals, 223. This is Mona's letter.

    在223我们发现莫娜,洛丽塔在演出认识的朋友,她未出世的,我们不知道是弟弟还是妹妹,死去了,我们在一句附言,发现了这一点,223

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It's funny a little bit. It's a picturesque comparison, hair and gravy, 0 but it emphasizes that ugliness. Now, if you look on page 80 , this is a woman climbing out of the swimming pool.

    这的确挺好玩儿的,这是一个生动的对比,头发和肉汁,小说着重强调了丑陋,现在,如果你把书翻到第800,我的书是84,这是一个刚才游泳池爬出的女人的形象。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Look first at the sheet that gives you the titles of God, and you'll see that in the patriarchal traditions so we're talking about Genesis primarily; I've thrown in some other texts also, but focusing for a moment on the patriarchal traditions of Genesis El SHaddai God is six times called El Shaddai.

    首先看看列出了上帝名称的那一,你们会看到,在宗法封建传统,我们现在主要讨论《创世纪》,我也选了其他的章节,但先着重《创世纪》的宗法封建传统,上帝有六次被称为。

    耶鲁公开课 - 旧约导论课程节选

  • And the rest, what we see of the rest, is nowhere in the classroom for Orson Welles in terms of technique. So that remake is interesting and that's why I spent the pages discussed it in my chapter. But it's not a competitor.

    剩下的呢,就是我们所看到的,没有给奥森·威尔斯施展,他技艺的空间,所以翻拍版很好玩,这也是为什么我用许多来,在我那一章讨论此事。

    麻省理工公开课 - 电影哲学课程节选

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