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If he's not one but not the other,and if he's not both, the only other possibility is that he's neither.
如果他不是非此即彼，如果他不同时是两者，那么剩下的可能性就是，他两者都不是。
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I don't know, it's probably an old term. He probably didn't point it, but I like it.
我不知道，这可能是个古老的词汇。他可能指的不是它，但我喜欢。
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It isn't necessary for you to grasp his occultism in order to read his poetry well.
但这不是必要的,没必要去理解他的系统,不理解系统也可以读他的诗。
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And then, he spends only three months in Manchester, not because he didn't like Rutherford.
然后花了三个月在曼彻斯特，不是因为他不喜欢卢瑟福。
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But even if it isn't, that wouldn't save the argument.
但是即使它不是，那也挽救不了他的论证。
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I don't think this is necessarily a case ... in which you have 99 skateboards and the government... or you have a hundred skateboards and the government is taking 99 of them.
我觉得他的例子不恰当,不是你有99个滑板，而政府。,或你有100个滑板,而政府收走99个。
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But for Hobbes, think of this by contrast, art does not so much imitate nature, rather art can create a new kind of nature, an artificial nature, an artificial person, as it were.
但是霍布斯不一样，他认为艺术并不是自然的模仿物，不如说艺术可以创造一种新式的自然，人造的自然，就像人的创造。
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This much, by the way, Wimsatt has in common with Gadamer, because Gadamer doesn't talk much about authors either, and Gadamer is interested in what he calls meaning, the subject matter, die Sache. Right? He's not interested in your sort of expression of that meaning or my expression of that meaning.
顺便说一句，文萨特和葛达玛很大相同之处就在于，葛达玛也不太强调作者的作用，而是对文章的含义，主题感兴趣，不是吗？，他不关注作品在用,你的还是我的表达方式来表现内涵。
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And he said,to his credit, "no,without my principles I am just"-- as he put it rather indelicately and cruelly about himself-- "a fat man with a big limp."
令人钦佩的是,他说,"不,如果不守我的原则我就是"--,好像他本来不是那么粗野,那么残酷一样--,"一个大胖瘸子"
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Far from having a sort of rational actor model of politics, he operates with an irrational actor model. He assumes that it is not reason but our passions that are the dominant force of human psychology, our desires, our aversions, our passions.
没有一个政治上理性的典范,他就着手塑造一个,不理性的典型，他假设,感情，而不是理性,是统领人类心理，欲望，厌恶和情绪的主要力量。
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