This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.

那就解释了为什么在纸上的最后一段,选自斯蒂法诺，罗素的采访，德曼愿意在自己的作品与他的密友雅克，德里达的作品,之间一个绝对的差别上冒险。

耶鲁公开课 - 文学理论导论课程节选

He's asking us to imagine God, or perhaps this is God's creative spirit, as some sort of feminine being laying the universal egg and brooding over it until it bursts forth with new life. This is a risk.

他想让我们把上帝，或者说上帝的创造精神，想象成一个产下宇宙之卵并孵伏其上,直到新生命破壳而出的女性形象，这很冒险。

耶鲁公开课 - 弥尔顿课程节选