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And this poem seemed like one you might find and be able to read yourself, without me there to explain it.
而这首诗似乎是一首,你们自己就可以读懂的，不用我多做解释的诗。
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Milton wants to write an epic that in some ways comes before, or prevents, the great epics of Homer and Virgil.
弥尔顿想写一首在某种程度上先于，荷马和维吉尔伟大史诗的史诗。
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So we're talking about a poem being able to sustain itself in the world to be equal to the world.
因此，一首高贵的诗歌能够,在这个世界中维持自我并与这个世界媲美。
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Let me conclude by just pointing to another poem, a late poem, "Directive," a poem published in 1947.
让我们看看另一首诗来作为结尾吧，一首晚期的诗，1947年发表的“指令“
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This doesn't look forward to Humbert's poem; it already is a poem and it is a poem to the crazed, aroused mind of Humbert.
不期待亨伯特自己的诗，它已经是一首,让其疯狂，引其深思的诗。
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So what I'd like to do now is focus on a piece that emphasizes--foregrounds-- just the first axis, pitch.
那么现在我要做的是集中精力于一首乐曲,它所强调的,突出的,只是这第一维,音高
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Sort of as a reflection on these same ideas, you get the famous poem of Wallace Stevens.
作为对这些相同观点的反思，我们来看一首来自华莱士？史蒂文斯的非常有名的诗。
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But, I also read a poem, and this is kind of a signature-- not my signature, but the kind of course it is.
不过我还读了一首诗,算是一种签名,不是我的签名,是这种课程的
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I've been doing this for many years, and all of a sudden comes a sonnet.
我在这方面做了很多年，所有的一切就像一首十四行诗。
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Now, one of the things the Greeks believed, as we discover from a poem written by one of their major poets, is something so far as I know unique to the Greeks.
在希腊的一位大诗人的一首诗中,我们发现了他们所信奉的一件事情,据我所知,这一点是希腊所特有的
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This intensely intimate focus on the human body is out of place in a Christian elegy and this, of course, Milton knows.
这对人类肉体的极端关注在一首基督教悼亡诗中,是不合时宜的，弥尔顿当然知道这点。
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Now the subject matter that he's chosen for this poem, for this so-called first poem, couldn't possibly be more appropriate.
现在他选这首诗的主题很重要，这所谓第一首诗可能不太恰当。
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Both Guillory and Angus Fletcher are examining the troubled relation of Milton to one of his favorite poets.
无论是古伊洛还是安格斯弗莱彻,他们都在研究弥尔顿最爱的一首诗中和他相关的问题。
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Yeats develops this idea or develops another version of it in a somewhat earlier poem that's interesting in relation to this one.
叶芝进一步发展了这一想法,并在早期的一首诗里,写了另一个版本,那首与这首的关系很有趣。
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It is, well, it's a great poem. There are lots of them that when I first started teaching this course I decided I wouldn't teach.
它是一首伟大的诗，有很多诗都是,我开始教这门课的时候就决定不去说这首诗。
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Now The Wasteland was the first poem to have footnotes, and you have to ask yourself: what do you have to think the poem is in order to think that it needs footnotes?
荒原》是第一首有脚注的诗歌，所以你们需要问问自己：,这首诗究竟有什么特别,而使得它必须要有脚注呢？
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Well, a movement is simply an independent piece, that works oftentimes-- if there arre multiple movements in a symphony or concerto-- works with other movements.
简单来说,乐章就是些各自独立的篇章,在一首交响曲或协奏曲内,和其他的乐章和谐统一
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And the question is, as when one might read a paper one wrote six months ago or ten years ago when one was a college student, or a poem one wrote as a teenager, and looked at it and think: "Ha! Is it possible that I could have written that?".
同时，一个人可能重新阅读,六个月前，或者十年前,还是大学生时写的论文，或者青年时写的一首诗，然后问自己：,哈，这个东西是我写的么？
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All of this has to be yoked together in the imagery of a good poem, particularly of a metaphysical poem, and this model of complexity is what matters both for modern literature and for literary criticism.
一首好诗,的应该融合这些意象，尤其一首玄学诗，同时，这种复杂性,在现代文学,和文学批评中都十分重要。
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You have just one of them in your Anthology, but it is one of the greatest. It is back on page 130.
你们选集里只有一首，但是是最好的之一，在130页。
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Here is, in this poem, an example of irony, of a really comparatively simple kind.
这里有一首诗，就是讽刺的手法，是一首相对简单的手法。
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The second section runs from stanzas nine through seventeen, and it characterizes the song that the heavenly choir sings at the moment of the Nativity.
第二部分从第九行到第十七行，这一部分展示了基督降生时天国的唱诗班,唱了一首什么样的歌。
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And so one of the things that needs to be explored here is why this poem is the last poem that Milton is not prepared to write.
这里需要研究的一点是,为什么这首是弥尔顿并未准备好就开始写的最后一首诗。
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And the boy dies. It's an extraordinarily powerful poem.
小男孩死了，这是一首很震撼人的诗歌。
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Lycidas' death -- remember this is the poem that Milton didn't want to write, he was "forc'd" to write it -Lycidas' death allows the uncouth swain to grow up and to move on.
利西达斯的死-记住这是一首,弥尔顿并不想完成的诗，他是被迫的,使得这个粗鄙的年轻人能够成长并继续前进。
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You could compare this poem to the poem placed last in Yeats's last poems called "Politics" that might seem to say something similar.
你们可以将这首诗与,叶芝诗篇的最后一首“政治“相比较“,它们可能会说一些相似的东西。
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Also, in a very different mood, the poem "For Once, Then, Something."
还有另一首完全不同的情绪的诗，“只一次，便成永远“
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In a number of ways, it's both a first poem and it's a poem about firsts.
在许多方面，它既是第一首诗，也是关于第一的一首诗。
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But there's an important and, I think, a very real sense in which Milton wanted to make it seem as if the Nativity Ode were the first poem that he had written.
但我有种非常强烈的感觉,弥尔顿好像还是想让人觉得,《圣诞清晨歌》才是他的第一首诗。
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Hardy wants to use really old dialect words, when he can, and there's power in that. And this is a poem composed in 1915.
哈迪在他可以的时候总是想使用真正的古代方言，而在其中是有力量的，这是一首在1915年作的诗。
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