• And this poem seemed like one you might find and be able to read yourself, without me there to explain it.

    而这首诗似乎一首,你们自己就可以读懂的,不用我多做解释的诗。

    耶鲁公开课 - 现代诗歌课程节选

  • You have just one of them in your Anthology, but it is one of the greatest. It is back on page 130.

    你们选集里只有一首,但最好的之一,在130页。

    耶鲁公开课 - 现代诗歌课程节选

  • This intensely intimate focus on the human body is out of place in a Christian elegy and this, of course, Milton knows.

    这对人类肉体的极端关注在一首基督教悼亡诗中,不合时宜的,弥尔顿当然知道这点。

    耶鲁公开课 - 弥尔顿课程节选

  • This doesn't look forward to Humbert's poem; it already is a poem and it is a poem to the crazed, aroused mind of Humbert.

    不期待亨伯特自己的诗,它已经一首,让其疯狂,引其深思的诗。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So what I'd like to do now is focus on a piece that emphasizes--foregrounds-- just the first axis, pitch.

    那么现在我要做的集中精力于一首乐曲,它所强调的,突出的,只这第一维,音高

    耶鲁公开课 - 聆听音乐课程节选

  • It's so amazing it can be equally surprising the poem to the person who was writing it and to the reading it.

    真的太奇妙了,一首诗可能,对作者和读者来说都一个惊喜。

    普林斯顿公开课 - 人性课程节选

  • Now why focus on the "poem"? Notice that we never hear about literature.

    那么为什么一直强调一首诗“呢?,你看我们从不说。

    耶鲁公开课 - 文学理论导论课程节选

  • Indeed,let me take a moment and read a poem that emphasizes this thought, because this is certainly one central,very bad thing about death.

    事实上,让我念一首诗来强调它,因为这确实死亡的主要坏处。

    耶鲁公开课 - 死亡课程节选

  • But, I also read a poem, and this is kind of a signature-- not my signature, but the kind of course it is.

    不过我还读了一首诗,算一种签名,不我的签名,这种课程的

    耶鲁公开课 - 1871年后的法国课程节选

  • What Frost gives you here and elsewhere is a poetry that leaves its meanings to make, all the time.

    弗罗斯特在这儿留给你们的一首,留下意味深长的语境的诗歌,需要不断地钻研。

    耶鲁公开课 - 现代诗歌课程节选

  • Here is, in this poem, an example of irony, of a really comparatively simple kind.

    这里有一首诗,就讽刺的手法,一首相对简单的手法。

    耶鲁公开课 - 现代诗歌课程节选

  • Finally, I think it can be said that it's a poem whose deepest investmentis actually in Milton's mastery over the entire Western tradition of literature.

    最后,我要说的,这一首弥尔顿对自身对于现代文学传统的,写作技巧苦心经营的诗。

    耶鲁公开课 - 弥尔顿课程节选

  • Milton's subject in his first English poem is -- we can guess it it's his future literary career.

    弥尔顿在他的第一首英语诗歌里的主题,我们可以猜一下,他将来的文学事业。

    耶鲁公开课 - 弥尔顿课程节选

  • It is, well, it's a great poem. There are lots of them that when I first started teaching this course I decided I wouldn't teach.

    一首伟大的诗,有很多诗都,我开始教这门课的时候就决定不去说这首诗。

    耶鲁公开课 - 现代诗歌课程节选

  • Now Lycidas, and this is undeniable, is ostensibly, and maybe more than ostensibly, an elegy.

    利西达斯》,不可否认,显而易见,或许不止显而易见,一首悼亡诗。

    耶鲁公开课 - 弥尔顿课程节选

  • This is a poem written in the depth of the Depression and also at the height of Frost's fame.

    一首写在经济危机时候的诗,也在弗罗斯特最有名的时候。

    耶鲁公开课 - 现代诗歌课程节选

  • It's a poem deeply invested in the tradition of pastoral poetry, pastoral poetry from Theocritus and Virgil onward.

    一首深深植根于从忒俄克里托斯和维吉尔时代,不断发展而来的田园诗的传统中的诗。

    耶鲁公开课 - 弥尔顿课程节选

  • Now the most distinguishing feature of Milton's elegy is the fact that it's a pastoral elegy.

    弥尔顿这首悼亡诗最显著的特点,它一首田园挽歌。

    耶鲁公开课 - 弥尔顿课程节选

  • It's a poem deeply invested, in fact, in the entire Western tradition of poetry in general.

    实际上,这一首植根于,西方诗歌传统的诗。

    耶鲁公开课 - 弥尔顿课程节选

  • This is probably the most difficult poem linguistically that we'll be reading all semester.

    语言上说来这可能最难的一首诗,我们这一学期都要阅读这首诗。

    耶鲁公开课 - 弥尔顿课程节选

  • This is wildly inappropriate, I think, in such a pious poem.

    在这样一首严肃的诗中,这很不合适的。

    耶鲁公开课 - 弥尔顿课程节选

  • Now The Wasteland was the first poem to have footnotes, and you have to ask yourself: what do you have to think the poem is in order to think that it needs footnotes?

    荒原》一首有脚注的诗歌,所以你们需要问问自己:,这首诗究竟有什么特别,而使得它必须要有脚注呢?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The first paper is going to ask you to write about one short poem; the second will ask you to write about two or more poems, or poems perhaps by two authors, or perhaps a poem and some other kind of text or image.

    第一篇论文会要求你们介绍一篇短诗;,另一篇则要求描述几首诗,或者任意两位作者的诗,又或者一首诗以及一篇课文或者一幅图画。

    耶鲁公开课 - 现代诗歌课程节选

  • Another poem of birth.

    一首关于生命诞生的诗。

    耶鲁公开课 - 现代诗歌课程节选

  • Okay. So here's a waltz by Richard Strauss not to be confused-- no, excuse me, by Johann Strauss not to be confused with Richard Strauss whom we heard last time.

    理查·施特劳斯的一首圆舞曲,别搞错了,不对,不好意思,约翰·斯特劳斯,别和理查·斯特劳斯的搞混了,我们上次听过他的作品

    耶鲁公开课 - 聆听音乐课程节选

  • It is a sonnet, too. It's a sort of song of a worker.

    一首十四行诗,一个劳动者内心的歌。

    耶鲁公开课 - 现代诗歌课程节选

  • And so one of the things that needs to be explored here is why this poem is the last poem that Milton is not prepared to write.

    这里需要研究的一点,为什么这首弥尔顿并未准备好就开始写的最后一首诗。

    耶鲁公开课 - 弥尔顿课程节选

  • And the boy dies. It's an extraordinarily powerful poem.

    小男孩死了,这一首很震撼人的诗歌。

    耶鲁公开课 - 现代诗歌课程节选

  • Lycidas' death -- remember this is the poem that Milton didn't want to write, he was "forc'd" to write it -Lycidas' death allows the uncouth swain to grow up and to move on.

    利西达斯的死-记住这一首,弥尔顿并不想完成的诗,他被迫的,使得这个粗鄙的年轻人能够成长并继续前进。

    耶鲁公开课 - 弥尔顿课程节选

  • This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."

    这对弥尔顿来说至关重要的,在《失乐园》中有一个让人印象深刻的片段-,如果你们读过那首诗也许还记得-,那一首赞美诗,以“致敬,已婚的爱情“开头“

    耶鲁公开课 - 弥尔顿课程节选

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