I've already suggested that in a variety of ways this is a response that can be naive but it is still very much in the air.
我已经暗示过,在各种各样的方式里,这个是一种天真的响应,但是仍然有很多这种声音存在。
The laugh is a lot like the "wow." It's that sound you make just because you're experiencing something, just because you're having a response to what's in front of you, something someone says.
这笑声很像“哇“这个字,是一种,因为正在经历某些事而发出的一种声音,作为你对面前发生的事或是,一些人说的话的反应。
Suddenly they do the Doppler effect where they turn their backs to you, in a way, and they're marching away from you and you hear very little sound.
突然,他们也产生了多普勒效应,当他们转身背对你时,当他们背离你前进时,你会听到一种很微弱的声音
It's a sound of group cohesion against the common enemy.
它是一种群体凝聚的声音,对抗共同的敌人。
This is a moment when the narrative voice begins to split in a very conscious way.
一种很有意识的声音,因而成了双重声音。
So, Salinger imagines that the literary art imitates that kind of voice, and in that way it is a sacred practice, a sacred art.
所以,Salinger将文学艺术,比作那种声音,在那种情况下,文学是一种神圣的做法,是神圣的艺术。
So, why should a non-frightening incongruity cause people to make a distinctive loud noise consisted of staccato segments of one fifteenth of a second each separated by a fifth of a second?
为什么不引起恐惧的不一致性,会让人们发出一种与别不同的声音,而且这种声音是间断的,一节声音持续15分之一秒,两节声音之间也是相隔15分之一秒?
And in between these two screaming creatures, one of you; one of them telling you to seek out your desires, " the other one telling you, "you should be ashamed of yourself," is you, is the ego.
在这两个争执的声音之间的结构;,一种声音要你去满足欲望,另一种声音却说“你应该感到羞耻“,就是你,就是自我。
And what this means is we can use --take any arbitrary idea in the world, the idea of a chair or a story or a country, and make a sound or a sign to connect to it.
符号任意性是指,我们可以拿来世间任何想法,比如椅子,故事,或是国家,再发明一种声音或符号来与之相联系
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