• I've already suggested that in a variety of ways this is a response that can be naive but it is still very much in the air.

    我已经暗示过,在各各样的方式里,这个是一种天真的响应,但是仍然有很多这种声音存在。

    耶鲁公开课 - 文学理论导论课程节选

  • The laugh is a lot like the "wow." It's that sound you make just because you're experiencing something, just because you're having a response to what's in front of you, something someone says.

    这笑声很像“哇“这个字,是一种,因为正在经历某些事而发出的一种声音,作为你对面前发生的事或是,些人说的话的反应。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Suddenly they do the Doppler effect where they turn their backs to you, in a way, and they're marching away from you and you hear very little sound.

    突然,他们也产生了多普勒效应,当他们转身背对你时,当他们背离你前进时,你会听到一种很微弱的声音

    耶鲁公开课 - 聆听音乐课程节选

  • It's a sound of group cohesion against the common enemy.

    它是一种群体凝聚的声音,对抗共同的敌人。

    耶鲁公开课 - 心理学导论课程节选

  • This is a moment when the narrative voice begins to split in a very conscious way.

    一种很有意识的声音,因而成了双重声音

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, Salinger imagines that the literary art imitates that kind of voice, and in that way it is a sacred practice, a sacred art.

    所以,Salinger将文学艺术,比作那种声音,在那情况下,文学是一种神圣的做法,是神圣的艺术。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, why should a non-frightening incongruity cause people to make a distinctive loud noise consisted of staccato segments of one fifteenth of a second each separated by a fifth of a second?

    为什么不引起恐惧的不致性,会让人们发出一种与别不同的声音,而且这种声音是间断的,声音持续15分之秒,两节声音之间也是相隔15分之秒?

    耶鲁公开课 - 心理学导论课程节选

  • And in between these two screaming creatures, one of you; one of them telling you to seek out your desires, " the other one telling you, "you should be ashamed of yourself," is you, is the ego.

    在这两个争执的声音之间的结构;,一种声音要你去满足欲望,另一种声音却说“你应该感到羞耻“,就是你,就是自我。

    耶鲁公开课 - 心理学导论课程节选

  • And what this means is we can use --take any arbitrary idea in the world, the idea of a chair or a story or a country, and make a sound or a sign to connect to it.

    符号任意性是指,我们可以拿来世间任何想法,比如椅子,故事,或是国家,再发明一种声音或符号来与之相联系

    耶鲁公开课 - 心理学导论课程节选

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