And I think of that front and back of the page as another kind of knight's move. You think you're looking at one thing, and you land on another.
这让我想到这页的开头和结尾都是一种迂回前进,你认为你正在看某样事物,事实上你在看另一个。
Let's start with a little bit of classical music here and this engages questions one and two.
让我们以一段古典音乐作为开头吧,结合一两个小问题
Anything he writes is going to be forced, compelled - and with his forced fingers rude he violates the formal prosodic, the metrical, scheme of his elegy at its very opening.
他写什么都是被迫的,不得已而为之的,-用他这粗鲁的手指,他在这悼亡诗的一开头,就没能遵守写诗的韵律规范。
That passage is often taken to be, the beginning of chapter 15, the essence of Machiavelli and realism, a kind of Realpolitik, as it were.
第,15,章开头的这一段落,常被解读为,马奇亚维利与现实主义的精髓,一种现实政治,其实它就是。
You know,like TV shows,"Last time on ER."
就像电视剧一开头的前情提要“
You will see that at the beginning of next lecture.
你将会在下一课的开头看到它。
You need a hero to help you, and having that hero, encountering the other mind as helper, is what obviates the tendency, even in a nice guy like Tony, toward narcissism which is manifest in the "I," "I," "I" at the beginning of the story.
他能帮助你,有了他的帮助,就可以避免自我陶醉的趋势,即便是托尼这么好的人,也可能会有这一趋势,总是用,“我“,“我“,“我“来开头。
I propose that we think of Milton at the opening of Lycidas as being stuck, stuck at a particular point in the imagined, the projected or fantasized, trajectory of his career.
我提议我们设想弥尔顿在的开头,是被他的一种假设的,设想中的或理想化的,职业生涯轨迹所束缚了。
Why start with this scene?
作为开头,为什么选这一场景?
The opening chapters of Leviathan, which I have only assigned a few, but the opening chapters present a kind of political physics where human beings are reduced to body and the body is further reduced to so much matter and motion.
利维坦》的开头几章,我只给你们布置了一些,开头几章呈现出,一种政治性的物理学,人类被缩小到身体,而身体继续被缩小到,大量物质和运动。
Those relationships take place in the context of continual negotiations of sexual relationships, and so the book begins with that explanation that: I first met Dean not long after my wife and I split up.
他们之间的关系是建立在,不断协商和性关系的基础上,所以书的开头有这样一段说明:,我第一次见到迪恩时刚和我妻子分开。
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