• And I think of that front and back of the page as another kind of knight's move. You think you're looking at one thing, and you land on another.

    这让我想到这页的开头和结尾都是种迂回前进,你认为你正在看某样事物,事实上你在看另个。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Let's start with a little bit of classical music here and this engages questions one and two.

    让我们以段古典音乐作为开头吧,结合两个小问题

    耶鲁公开课 - 聆听音乐课程节选

  • Anything he writes is going to be forced, compelled - and with his forced fingers rude he violates the formal prosodic, the metrical, scheme of his elegy at its very opening.

    他写什么都是被迫的,不得已而为之的,-用他这粗鲁的手指,他在这悼亡诗的一开头,就没能遵守写诗的韵律规范。

    耶鲁公开课 - 弥尔顿课程节选

  • That passage is often taken to be, the beginning of chapter 15, the essence of Machiavelli and realism, a kind of Realpolitik, as it were.

    第,15,章开头的这段落,常被解读为,马奇亚维利与现实主义的精髓,种现实政治,其实它就是。

    耶鲁公开课 - 政治哲学导论课程节选

  • You know,like TV shows,"Last time on ER."

    就像电视剧一开头的前情提要“

    耶鲁公开课 - 新约课程节选

  • You will see that at the beginning of next lecture.

    你将会在下课的开头看到它。

    麻省理工公开课 - 固态化学导论课程节选

  • You need a hero to help you, and having that hero, encountering the other mind as helper, is what obviates the tendency, even in a nice guy like Tony, toward narcissism which is manifest in the "I," "I," "I" at the beginning of the story.

    他能帮助你,有了他的帮助,就可以避免自我陶醉的趋势,即便是托尼这么好的人,也可能会有这趋势,总是用,“我“,“我“,“我“来开头

    耶鲁公开课 - 文学理论导论课程节选

  • I propose that we think of Milton at the opening of Lycidas as being stuck, stuck at a particular point in the imagined, the projected or fantasized, trajectory of his career.

    我提议我们设想弥尔顿在的开头,是被他的种假设的,设想中的或理想化的,职业生涯轨迹所束缚了。

    耶鲁公开课 - 弥尔顿课程节选

  • Why start with this scene?

    作为开头,为什么选这场景?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The opening chapters of Leviathan, which I have only assigned a few, but the opening chapters present a kind of political physics where human beings are reduced to body and the body is further reduced to so much matter and motion.

    利维坦》的开头几章,我只给你们布置了些,开头几章呈现出,种政治性的物理学,人类被缩小到身体,而身体继续被缩小到,大量物质和运动。

    耶鲁公开课 - 政治哲学导论课程节选

  • Those relationships take place in the context of continual negotiations of sexual relationships, and so the book begins with that explanation that: I first met Dean not long after my wife and I split up.

    他们之间的关系是建立在,不断协商和性关系的基础上,所以书的开头有这样段说明:,我第次见到迪恩时刚和我妻子分开。

    耶鲁公开课 - 1945年后的美国小说课程节选

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