The final sight I like to show you is the Star Festival sight. Every town has a festival of some sort and my hometown has the Star Festival.
最后一个我要展示给大家的片段是七夕,每个小镇都有些节日,我的家乡有这个“七夕节“
There's still a lot more of the text and so that first fragment a part, but I immediately begin to form an opinion about this part with respect to an imagined or supposed whole.
文本中的很多还没有读,但是那第一个片段成为了一个局部,但是我立即对这个局部有了自己的想法,并且开始设想全文。
OK, so far though, I've just shown you what happens inside a peace a code. It raises an exception. It goes to that accept clause. We don't have to use it just inside of one place.
好了,我已经给你们看了,代码内部发生了什么,它报了一个异常,然后就到了处理的片段,我们不该就在一个地方用它。
This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."
这对弥尔顿来说是至关重要的,在《失乐园》中有一个让人印象深刻的片段-,如果你们读过那首诗也许还记得-,那是一首赞美诗,以“致敬,已婚的爱情“开头“
The first excerpt is from Numbers 14, and it shows Moses' ability to placate the wrath of God.
第一个是来自《民数记》14的片段,展示了摩西,让盛怒的上帝平静的能力。
Remember we had in that one piece and then there was a modulation tying them together, but those were completely different sentiments.
记得吗这个片段,然后,这两段音乐用一个转调相连接,但是表达了截然相反的感情。
When I look for it here I'm going to see two pieces, one that's nearly the same length and one that's much shorter.
当我去找时,就找到两个片段,一个片段差不多就是原长,另一个则短得多
So we've heard a passage here.
我们已经听了一个片段
So we're going to listen to a track out of John Kander's Chicago here, and the question that's at- in play at the moment is what's the meter of this cut from chicago?
我们先听一下约翰·肯德尔的作品芝加哥,中的一小段,边听边想一个问题,这个片段的节拍是怎样的,这个摘自芝加哥的片段
You will be given a list of pieces that you'll have to prepare for a little bit and then we will play out of those particular pieces, but most importantly, I will give you a prep sheet.
回头我会给你们一个作品片段的列表,你们得做点准备,然后我们会放一些列表中的作品片段,但是最重要的是,我会给你们一些考点
So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.
所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。
If this was a sickle patient, so they had this gene instead it wouldn't get cut and when I went to look for that presence of that gene on this gel, it would appear as one large segment instead of a large one and a smaller one.
而如果是个镰状红细胞贫血的病人,他们的基因是不会被限制酶切割的,因此他们基因的凝胶电泳结果就不会呈现,一大一小的结果,而只有一个大的片段
Have we got another excerpt here?
另外一个片段
If you cut and you open up a segment of DNA then you've left these sticky ends, for example and these sticky ends are capable of recognizing each other by the process of hybridization.
如果你进行切割打开一个DNA片段,就会留下,比如说,这些粘性末端,这些粘性末端能在杂交的过程中互相识别
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