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Situation number two is I take the same number, and I make a row. They are all in one row.
状态二我将采用同样的数字，并且我做了一个箭头，它们全部都在一列上。
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If you are going to be shy in another country, you're not going to learn another language.
如果你在另一个国家会感到害羞，那你就别学另一种语言了。
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These implicitly make a claim to the generality--at the national scale, or in the racial sense-- the representativeness of this life.
而不是一个特定的人,这暗含了一种普遍性，在民族范围内或者在种族意义上来看-,来表现这种生活。
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It will surface back up in another piece of work or another idea at some point in your life.
在某个时刻，旧点子会以另一种形式重新出现,或者另一个想法在会出现在你的生活中。
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So, I joined the faculty in 1978, 091 and my first teaching assignment was 3.091 recitation. I had two sections.
我在1978年的时候加入了教职的一员，我第一个教授的课程就是3。,当时我的课程分为2个部分。
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It might be darkness. It might be spirit. Or in ancient Greek religion, a more sort of philosophical polytheism, it might be fate.
它可以是黑暗，也可以是一种精神，在古希腊的一个，偏向于哲学上多神论的宗教中，它可以是命运。
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The distinction I made in the paper that we talked about in the class is between procedural justice and substance of justice in the university.
我曾经在一篇论文中做了一个区分,在课堂上讲到过，那就是大学程序性公正,和实质性公正的区别。
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I was curious; I was even a user assistant at the time, I was certainly a geek at the time and yet I had no sense really of what actually went on in a classroom like this.
我很好奇，在当时我是一名助教，那时我肯定是一个怪胎,我真的不知道,这样的课上讲的是什么东西。
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It will probably quit at some point because of space issues, unless I'm writing an algorithm that is using no additional space.
其中一个的时候，它会一直运行下去,它可能在某一处因为空间问题退出,除非我写了一个。
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You may have noticed in your Wimsatt essay that there is a footnote to somebody named Joel Spingarn who wrote an essay called "The New Criticism" in 1924.
你们可能还注意到了，上一篇关于文萨特的文章中,有一个脚注提到了一个叫乔·斯宾加恩的人,这个人在1924年写过一篇文章也叫做《新批评》
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Isaiah in this passage is describing a crucial moment in his career, his career as a prophet: the moment in which his lips are cleansed and he is empowered -- divinely empowered -- to speak prophetically.
在这一段里艾赛亚描述了一个他事业上至关重要的时刻，作为一个预言家：在这个时刻他的嘴唇被清洁干净,他被神圣得授权来预言。
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A different question is, there in that experiment the "groupiness" was established in a very powerful way.
还有一个问题就是，在这个实验里,这种群体性是通过一种很有力的方法形成的。
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Something might be short at one point and become tall at another point, ugly at one point and become beautiful-- like the ugly duckling.
一个事物可能在某一时刻很矮,然后在另一时刻又会变高,某一时刻很丑,然后变得很美,就像丑小鸭一样
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And in Economics, a guy called Hotelling, who wrote a paper about this in 1929.
在经济学领域里,有一个叫霍特林的人,他在1929为此写过一篇论文
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with a piece of popular music you get a single ethos, a single feeling,a single mood associated with the piece, and the piece will tend to be shorter.
在流行乐里，一首歌只表达一个中心思想，一种感觉，一种情绪，所以这首作品也就会短小一些。
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All right now, now what I'd like you to do is just sort of do a guestimate in your mind of the percentage errors you might have made overall in these estimates, and I'll come back and ask you in a minute.
好了,现在,现在我希望你们,在脑海中估算下你们预测的百分误差,你们可以就总值做一个估算,我会在一分钟后问你们
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Then in another corner, you notice that there's a fight and somebody pulls out a knife.
而在另一个角落，一群人争吵起来，有人还亮出了一把刀。
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So, if something cycles through five wavelengths in a single second, we would just say that the frequency of that wave is five per second.
如果一个东西在一秒,内经历了五个波长，我们就说这个波的,频率是每秒5次。
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In the last stanza then there is that extraordinary shift of perspective.
在最后一节，突然转到了一个非凡的视角。
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Suppose you are starting a business with somebody-- it could be at any time in history-- Babylonia or something--this must have happened.
假设你要和某人一起做一笔生意...,可以在任何一个时代...,例如古巴比伦或者其他时代...肯定发生过这种事
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You're not fishing through a whole chromosome in order to find what you want, but you're going to a cell that's already enriched in it.
你不是大海捞针地,在一整个染色体中找基因,而是在一个充满了,你感兴趣的基因的细胞里找
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At a given instant, it's got a location.
在一个给定的时刻,它在某一位置
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It's also going to be the process of watching an artistic form unfold over a very exciting period of time.
更是一个观察某种艺术形式在一段,刺激的时间里展现的过程。
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And so he said, if you start off with a male and a female, at the end of one month they have an offspring. Let's assume they have two offspring. At the end of the next month let's assume those offspring have offspring. Again a male and female.
在13世纪的时候想要计算兔子的数量,就是一个月大的兔子,再过一个月就可以进行交配,所以它说如果你一开始有一公一母两只兔子,在一个月末它们就可以生小兔子,让我们假设它们生了两只小兔子。
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I'm going to tell you a story in which-- your--body ends up one place, and your personality ends up some place else.
我要给你们讲一个故事-,故事里你的肉体在一处终结，而你的人格会在另一处终结。
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But here I have the opportunities to someone something, and then you see them act upon it in a month's later, a year's later.
但我能有机会去帮助别人，并看到他们能因此在一个月后,甚至一年后，收到效果，作出改变。
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This is, of course, disputable. There is a kind of a vogue recurrently in the history of fiction for a kind of miraculous sense that this is just exactly the way things are.
这个，当然，是有讨论余地的，这是一个趋势,循环地在小说历史中出现，为了一种不可思议的理由,说事情就是这样的。
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She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding time among the beasts in a zoo, any death wish that can be consummated by some minimum gesture.
她生来就是为了回忆的，她面临着一种可能性,当她在一个高高的阳台看着玩具街时，当她坐过山车时，当她在动物园里喂野兽时，通过一个小小的手势。
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So there it's--I'm simply taking the Cole Porter piece and throwing in an extra beat in each measure an unstressed beat in each measure and it works out pretty well.
我只是简单的把科尔·波特的作品,在其每小节中,加了一拍,在其每小节中,加了一个非强拍,看起来效果还很不错
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Portsmouth had a penalty and the guy who was going to take the penalty came up to kick the penalty and he kicked it to the middle and it was saved.
朴茨茅斯获得一个点球,主罚点球的球员站在球门前,一脚把球射向中路,门将扑救成功
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