Kimonos range from extremely formal to casual.
和服从极其正式到随意风格都有。
A girl carrying kimonos. Thompson St, February 1912.
搬运和服的女孩，汤普森大街，1912年2月。
The young women are dressed in kimonos and the young men are in suits and ties.
这个年轻的女人穿和服和少年的男子在西装和领带。
How did you start making kimonos, which has now become your most representative work?
你设计的和服现在成了你的代表作品，你是怎么开始要设计和服的呢？
I was surprised to find out that people there saw my kimonos as “traditional and modern” and accepted them.
我在法国展出了我的和服作品，法国人出乎意料的接受我的作品，称我设计的和服：“既现代又传统”。
You'd always been making ordinary clothes until then, what made you suddenly turn your eyes to kimonos ?
你设计的和服现在成了你的代表作品，你是怎么开始要设计和服的呢？
Warriors or adversaries would open their kimonos as a gesture of trust to show they had no hidden weapons.
武士和他们的对手都会打开和服，以示自己没有隐藏武器。
Founded in 1893, the company originally farmed indigo plants and made indigo dyes that were used in kimonos.
成立于1893年，该公司原植物和养殖靛蓝靛蓝提出一些在和服使用染料。
However, most kimonos owned by kimono hobbyists or by practitioners of traditional arts are far less expensive.
然而，大部分由和服爱好者或者传统艺术从业人员拥有的和服就远没有这么贵。
That's perhaps why some people say that my kimonos blend naturally into the modernistic spaces of today's Japan.
这也是我的作品被认为是能够很好的融入现代日本的一个原因吧。
This intermezzo over, he found himself surrounded by several stunning, porcelain-faced Japanese women in kimonos.
这曲子过后，他发现自己身处几位穿着和服并且有着娇好面容的日本女人的包围之中。
The 1932 fire at Shirokiya's Nihombashi store is said to have been the catalyst for the decline in kimonos as everyday wear.
1932年，Shirokiya的Nihombashi店的火灾被认为是造成和服在日常生活中的使用下降的催化剂。
That made me feel the significance of being involved in Japanese traditional culture, and so I decided to continue making kimonos.
这使我觉得我在日本传统文化上的表现有着深远的意义。于是我决定继续我的和服的设计制作。
Ellen's a Portland, Oregon native but is never in one place for long — she's currently exploring Japan, where she writes, teaches, and hoards vintage kimonos.
艾伦是波特兰俄勒冈人，但是从不在一个地方久待—她正在探索日本，并在日本创作，教书，囤积老式和服。
Ellen's a Portland, Oregon native but is never in one place for long — she's currently exploring Japan, where she writes, teaches, and hoards vintage kimonos.
艾伦是波特兰俄勒冈人，但是从不在一个地方久待—她正在探索日本，并在日本创作，教书，囤积老式和服。
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