By 1918 he had moved away from realism again and was blending fantasy-including abstract flying figures-and cubism in his work.
到1918年,他再次摆脱现实主义,而将幻想画的手法(包括抽象的飞行物)与立体派的风格揉合于他的作品之中。
By 1918 he had moved away from realism again and was blending fantasy-including abstract flying figures-and cubism in his work.
到1918年,他再次摆脱现实主义,而将幻想画的手法(包括抽象的飞行物)与立体派的风格揉合于他的作品之中。
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