Its director Paul Greengrass shot several sequences using a handheld camera and then made rapid cuts to create a fast-paced, hectic edit.

导演保罗·格林格拉斯使用手持摄像机跟拍了许多连续镜头，又在不同镜头间使用快速切换来营造快节奏、紧张的效果。

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Its director Paul Greengrass shot several sequences using a handheld camera and then made rapid cuts to create a fast-paced, hectic edit.

导演保罗·格林格拉斯使用手持摄像机跟拍了许多连续镜头，又在不同镜头间使用快速切换来营造快节奏、紧张的效果。

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