Over time, Godzilla morphs into a defender of Japan.
随着时间的推移，哥斯拉摇身一变成为了日本的保护者。
But the early "Godzilla" films were earnest and hard-hitting.
但是早期的《哥斯拉》电影其实是严肃认真的，而且掷地有声。
So long as Godzilla can fascinate people, I believe he will be resurrected by new generations of filmmakers in the future.
只要哥斯拉能让人们着迷，我相信将来他会在新一代电影制作人手中复兴的。
But it also brings back into focus Japan’s awkward postwar nuclear predicament that was ambiguously illustrated by the Godzilla series.
但是它同时也把人们带回了对日本的战后核困境的关注，这种困境已经由哥斯拉系列电影进行了含混不清的阐释。
The bizarre and suggestive menagerie of creatures that followed Godzilla onto the silver screen ranged from the intriguing to the ridiculous.
哥斯拉之后出现在大银幕上的各种奇异而具有暗示性的生物，从耐人寻味的到荒谬的，不一而足。
哥斯拉，怪兽之王。
Overall, this is a Godzilla movie that everyone can enjoy.
总之，《哥斯拉》是一部每个人都能乐享其中的电影。
But skeptics argue GLD could become a Godzilla-like beast if the gold rally reverses sharply.
但持怀疑态度的人认为，如果黄金涨势急速反转，GLD可能将成为洪水猛兽。
In 1954, the first Godzilla movie was released. A black and white, man-in-a-rubber-suit action thriller, the original.
1954年，第一部哥斯拉电影放映，黑白银幕上，穿着橡胶道具服的演员，演绎了这部惊悚片的鼻祖。
The researchers are calling it Godzilla after the legendary movie monster, but it really was an ancestor of modern crocodiles.
研究人员根据一部科幻电影中怪物主角的名字给它起了一个绰号叫“哥斯拉”。这个怪物实际上是现代鳄鱼的祖先。
In a year full of sci-fi movies and similar characters, like cartoon superheroes and robots, Godzilla is a hands-down standout.
在这个到处都是科幻电影的年代，人物角色难有新意，处处可见漫画中的超级英雄和机器人，而哥斯拉无疑是一个与众不同的存在。
In the previous Jurassic films, dinosaurs create a horrifying atmosphere and demand people respect nature, an essential theme in other monster film series like King Kong and Godzilla.
之前的侏罗纪电影总是用恐龙制造出一种恐怖的氛围，阐述着《金刚》、《哥斯拉》之类怪物电影永恒的主题——人类应尊重自然。
With Sony ads that contrasted Godzilla and the tiny laptop, Mr. Komiyama pulled the Vaio ahead of rival Apple laptops in U.S. market share for a time before he moved back to Japan in 2001.
该活动的口号是“Size Matters”，广告中将怪兽哥斯拉与这款小巧的笔记本放在一起形成对比。 凭借这场广告战役，Vaio在美国的市场份额曾在小宫山英树2001年调回日本之前一度超过了竞争对手苹果。
With Sony ads that contrasted Godzilla and the tiny laptop, Mr. Komiyama pulled the Vaio ahead of rival Apple laptops in U.S. market share for a time before he moved back to Japan in 2001.
该活动的口号是“Size Matters”，广告中将怪兽哥斯拉与这款小巧的笔记本放在一起形成对比。 凭借这场广告战役，Vaio在美国的市场份额曾在小宫山英树2001年调回日本之前一度超过了竞争对手苹果。
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