I've never seen a Fellini film.
我从来没有看过费里尼的电影。
“Do you like Fellini?” he asked.
“你喜欢费里尼吗?”他问道。
It sounds like something one might expect to see in a Fellini film.
这好像是,你在费里尼电影里可以看到的情节。
"There is no end. There is no beginning. There is only the passion of life." -federico Fellini.
“没有结束。没有开始。只有对生命的热情。”——佛德理哥·费里尼。
Margaret Atwood, the novelist, compared Mr. Calvino's urban landscapes to ''the early Fellini films.''
小说家玛格丽特·阿特伍德(百科)把卡尔维诺先生笔下的城市景色比作 “费里尼(Wiki)的早期电影。”
Fellini said he did not need the images -- on Nino Rota's mind, the stories came up on the musical shape.
费里尼说,尼诺不需要画面,在他的想象中,故事就能按照音乐的形状发生。
As they stood in line, Leonard had mentioned that the film Society was playing a Fellini film that weekend.
在排队买咖啡时,伦纳德提到电影协会在那个周末将要放映一部费里尼的电影。
A different language is a different vision of life. -federico Fellini, film director and writer (1920-1993).
不同的语言是生活的不同景像。-特里·费里尼,电影导演兼作家(1920年至1993年)。
I see one source that claims papatacci means “mosquito” or “midge” which could have been reminiscent to Fellini.
我在一个出处看到,papatacci有“蚊子(mosquito)”或“蠓(midge)”的意思。 或许,费里尼还依稀对这个词有印象吧。
She spoke Polish to her maternal grandmother and watched movies of Federico Fellini and Satyajit Ray with her cinephile dad.
她跟外婆说波兰语,和爱好电影的爸爸一起看费德里科•费里尼和沙提阿耶特雷的电影。
The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou.
同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。
There's a little black and white, a little musical number, a little Fellini, which is always helpful in evoking a man in the act of yearning.
因此我们欣赏到的像是一个大拼盘:一点黑白片加一点音乐剧表演,还有一点点儿费里尼的匠气入菜——谁不爱费里尼呢,尤其是在表现一个男人的渴望时?
Fellini has said he liked the name because it made him think of a buzzing stinging insect, which matched the character he was trying to portray.
费里尼说过,他喜欢这个姓的原因在于,它让他想起一种飞行时发出嗡嗡声的叮人小虫,而这种虫子与他试图塑造的角色完美地契合到了一起。
Like those of a few notable moviemakers before him - including Federico Fellini, Sergei Eisenstein, and Pier Paolo Pasolini - Burton's films are extensions of his drawings.
和在他之前成名的一些知名电影制作人,比如费里尼(Federico Fellini),爱森斯坦(Sergei Eisenstein),和帕索里尼(PierPaoloPasolini)一样,伯顿的电影是他绘画作品的延伸。
The 360-degree view with the top down was so perfect, so reminiscent of driving scenes in our favorite Fellini and Antonioni movies, we simply followed the road wherever it went.
从上到下,360度的景色都是那么完美。开着我们最中意的法拉利,放着安东尼奥尼的电影,车窗外的视野令人无比惬意,随便开到哪里都好。
The 360-degree view with the top down was so perfect, so reminiscent of driving scenes in our favorite Fellini and Antonioni movies, we simply followed the road wherever it went.
从上到下,360度的景色都是那么完美。开着我们最中意的法拉利,放着安东尼奥尼的电影,车窗外的视野令人无比惬意,随便开到哪里都好。
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