Milton's quoting Dionysius Alexandrinus in this passage.
弥尔顿在这段中引用狄奥尼修斯的话。
Dionysius actually speaks of the council in the heroic age as composed of nobles.
狄奥尼修斯所描述的英雄时代的议事会正是这样由贵族组成的。
In Greek mythology, satyrs are half-goat, half-man creatures associated with Pan, the nature god, and Dionysius, god of wine and pleasure.
希腊神话中，萨蒂尔是一种半人半羊的生物，常与自然之神潘和酒神狄俄尼索斯联系在一起。
But certain men adhering to him, did believe; among whom was also Dionysius, the Areopagite, and a woman named Damaris , and others with them.
可是，也有几个人依附保禄而信从了，其中有阿勒约帕哥的官员狄约尼削，和一个名叫达玛黎的妇人；同他们一起信从的，还有其他一些人。
Howbeit certain men clave unto him, and believed: among the which was Dionysius the Areopagite, and a woman named Damaris, and others with them.
但有几个人贴近他，信了主，其中有亚略巴古的官丢尼修，并一个妇人，名叫大马哩，还有别人一同信从。
This was not only true of his experience at home, but of his failed efforts to turn Dionysius' kingship in Sicily into a successful example of philosophical rule.
这不仅验证于他的国内经历，也验证于他无力，助迪欧尼修斯将西西里王权，转为成功之哲学统治的过往。
Plato himself, remember, made a number of trips to Sicily to serve as the advisor to a king there, Dionysius, and all of these missions failed and left him deeply dispirited.
记不记得柏拉图自己，曾多次旅行到西西里岛，从事国王顾问的工，Dionysius王，他所有的使命都未竟成功，并使他深深感到气馁。
Nietzsches aesthetic view is an essential part of his life philosophy which holds that art is the manifestation of power will and product of collision of two spirits-Apollo and Dionysius.
他认为艺术是日神和酒神两种精神冲撞和迸发的产物，是权力意志的表现形式。
Therefore, it is necessary to affirm the life from the state of Dionysius, to surpass the morality as yet, for the (artistical) pleasure is eternal, and the (moral) "suffering" is temporary.
因此，必须用悲剧性的酒神状态肯定生命，超越道德，因为(艺术的)快乐是永恒的，而(道德的)“痛苦”是暂存的。
Therefore, it is necessary to affirm the life from the state of Dionysius, to surpass the morality as yet, for the (artistical) pleasure is eternal, and the (moral) "suffering" is temporary.
因此，必须用悲剧性的酒神状态肯定生命，超越道德，因为(艺术的)快乐是永恒的，而(道德的)“痛苦”是暂存的。
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