古希腊悲剧家欧里庇得斯的剧作《酒神的女祭司们》生动地展现了本能和习俗的冲突。
The Bacchae, a play by the Greek tragedian Euripides, shows a dramatic view of the confrontation between instincts and institutions.
有一个古老故事说：昔日米达斯王曾很久在林中寻找酒神的伴侣，聪明的西列诺斯，但没有找到。
An old legend has it that King Midas hunted a long time in the woods for the wise Silenus , companion of Dionysus, without being able to catch him.
巴克斯酒神的或与之相关的。
他说我们自身被分成两个重要的部分：“酒神的”和“日神的”。
He says that we have separated two important aspects of ourselves: the "Dionysian" and the "Apollonian".
小克莱巴以他酒神的魅力闻名乐坛，同时他也爱耍小孩子气---比如说最后一分钟取消演出。
Kleiber was known as a brilliant conductor who could inspire an orchestra but also as an enfant terrible who would call off performances at the last minute.
欢快的酒神的火苗是无法从德伐日先生压榨出的葡萄汁上燃起来的，它的酒渣里也隐藏着一种在黑暗里闷着燃烧的火。
No vivacious Bacchanalian flame leaped out of the pressed grape of Monsieur Defarge: but, a smouldering fire that burnt in the dark, lay hidden in the dregs of it.
当他们告诉他，他们这个年龄的期望时，他高兴起来，说葡萄酒节这样庆祝，就是真正的酒神节了。
And when they told him what one would expect of their age, he began to be merry, declaring that a vintage celebrated in such a manner was truly bacchanalian.
这个婴儿就是大名鼎鼎的酒神巴克斯。
The child would grow up to be Bacchus, the great god of wine.
在暴烈的自我毁灭中，酒神这位狂放的叛逆获得了重归原始自然的最大欢乐和超越悲剧的意义。
And Dionysus, the wild rebel in the violent self-destruction, obtains the greatest happiness and the significance that transcends tragedy in the return to the primitive nature.
那宏大的酒神现象呢？
酒神杖，顶端是芳香的松果。
我们至今读过的戏剧中，哪部最具酒神风格？
Which of the plays that we have read so far would seem the most Dionysian?
酒神精神的潜台词是：就算人生是出悲剧，我们要有声有色的演这出悲剧，不要失掉了悲剧的壮丽和快慰。
The subtext of wine god spirit is: even if life is a tragedy and we recorded colored play this tragedy, don't lose the magnificent and satisfaction.
酒神，一向是西方艺术的最根本的永恒原型。
Dionysus is eternally the fundamental archetype in western art.
悲剧的日神因素和酒神因素这一对立在悲剧中被扬弃而归于统一。
The antithesis of Apollo and Dionysus is sublated and united in tragedies.
狄俄尼索斯是葡萄酒神，他是宙斯和塞梅莱的儿子。
Dionysus was the god of wine. He was the son of Zeus by Semele.
文学在本质上是合乎酒神精神的“自然之子”，在这个意义上，文学以其对文化与理性的反叛体现出永恒的人文情怀。
Literature is essentially "son of nature" that conforms to Dionysiac spirit; therefore, in this sense, literature, with its rebellion against culture and ration, reflects eternal humanistic feelings.
让酒神狄俄尼索斯浇洒了神酒，使它拥有了芬芳的气味。又有美惠三女神将魅力、聪颖和欢乐赐予了它。
Dionysus, the god of wine, added nectar3 to give her a sweet scent, and the three Graces4 gave her charm, brightness and joy.
酒神精神是尼采的一个重要概念。
Dionysian Spirit is a major concept of Nietzsche's philosophy.
在中国现代文学中，启蒙理性对酒神精神的征用较为明显。
In the modem Chinese literature, it is very obvious that the enlightenment reason takes over Dionysian spirit for use.
悲剧是从酒神中诞生的吗？
And what about what was born out of the dionysian-the tragedy?
作为非理性主义的酒神精神在艺术创造中有着理性主义所不能替代的而且也是特殊的艺术功效。
Dionysus's spirit, representing non rationalism, has special artistic effects on artistic innovation, which cannot be replaced by rationalism.
酒神狄俄尼索斯象征有活力的生命溪流，没有约束与障碍，挑战所有限制。
Dionysus symbolised the dynamic stream of life, which knows no restraints or barriers and defies all limitations.
当然，酒神狄俄尼索斯对于迈达斯国王的好客很是高兴。
The god Dionysus naturally was quite pleased with King Midas' hospitality.
酒神节：为表示尊敬巴克斯的古罗马喜庆日。
Bacchanalia: The ancient Roman festival in honor of Bacchus.
酒神节：为表示尊敬巴克斯的古罗马喜庆日。
对于酒神狄奥尼·索斯与古希腊悲剧之间的密切关联，学界早有共识。
It has been a consensus about the close association between Dionysus and Greek Tragedy in the academics.
对弗兰茨来说，音乐能使人迷醉，是一种最接近于酒神狄俄尼索斯之类的艺术。
For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication.
对弗兰茨来说，音乐能使人迷醉，是一种最接近于酒神狄俄尼索斯之类的艺术。
For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication.
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