• 批评话语分析为广告翻译研究提供了新的视角。

    Critical Discourse Analysis provides a new perspective for advertising translation studies.

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  • 解释学作为一种批评话语一直强调其语言学范式。

    As a critical discourse, hermeneutics has involved a linguistic paradigm.

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  • 其诗意表现为批评话语的形象美、情感美和音乐美。

    The poetic character of his literary criticism is manifested by the beauty of image, emotion and music.

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  • 批评话语分析已经成为语言学中的一个新兴分支学科。

    Critical discourse analysis has become a new branch in linguistics.

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  • 现实主义批评话语的强大背景使他们的这种心态更为显著。

    The background of the realistic literary criticism made their concerns more conspicuous.

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  • 批评话语分析作为一种语言分析方法,正引起人们的广泛关注。

    As an important approach to the analysis of language, critical discourse analysis has drawn great attention.

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  • 王少堂所代表的“王派《水浒》”正是扬州评话艺术形态的典范。

    Water Margin performed by the Wang School led by Wang Shaotang just typifies the grace of the art.

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  • 在艺术世界的有限范围之外,针对艺术体制的批评话语是否具备时效性?

    Do critiques of the art system have currency outside the limited sphere of the art world?

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  • 雅克·德里达的解构理论对建构女性主义批评话语的影响是不可忽视的。

    The impact of Derrida's deconstruction theory on the construction of the feminist criticism discourse can never be overlooked.

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  • 本文旨在通过以上分析,验证批评话语分析是一种行之有效的分析方法。

    This thesis intends to prove that CDA is an effective analytical method to discourse.

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  • 多取材于汉族民间的神话故事、传说、 章回小说、评话唱本等编成。

    Multi - are based on the Han Chinese folk tales, legends, novels on, then libretto compiled.

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  • 苏州评弹是评话和弹词流传到江南,与以苏州话为代表的吴方言结合的产物。

    Suzhou Pingtan, a combined term for Pinghua and Tanci is a flower in the art circles of Southern Yangtse River.

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  • “赋比兴”是中国古代重要的文学批评话语,三者间具有普遍的结构性关联。

    Fu, Bi and Xing are important terms in the classical Chinese literary criticism, and a universal structural relevance exists between them.

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  • 因而,不仅中国,几乎所有后发现代性国家的文学批评话语都具有“语际性”。

    In this sense, not only China, almost all the aftermath of the country's modern literary criticism discourse is "inter-lingual nature" identity.

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  • 本文据此提出具体的对话方法,以期借语料库语言学方法加强和丰富批评话语分析的研究。

    Accordingly, some pertinent dialogical measures are proposed to strengthen and enrich Critical Discourse Analysis by borrowing methods from Corpus Linguistics.

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  • 扬州评话是以扬州方言徒口讲说表演的曲艺说书形式,流行于苏北地区和镇江、南京、上海等地。

    As a vocal art form of recitative performed in the Yangzhou dialect, Yangzhou Pinghua is popular in North Jiangsu Province, Nanjing, Shanghai and other places.

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  • 文学经典建构是批评话语将契合自己最高标准的文本推入艺术界,使其获得中心地位和合法性的过程。

    The establishment of literary classics is to ensure that texts of the highest standards by discourse critiques are placed in the center in the literary world and become legitimate.

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  • 扬州评话的艺术形态由说书人“全面表白”的口头文学叙事、书场音韵效果和书台表演的形象塑造互动构成。

    Yangzhou Storytelling is an art combining the storyteller's all-inclusive oral narration, the sound acrobatics and the body language performed at the table on the stage.

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  • 当代文学批评话语中,在视听准则之外提出“以味论诗”的中国文论传统,无疑是一份不可忽视的思想资源。

    In modern literature critic word, beyond visual and aural criterion, Chinese traditional flavor criterion is an idea resource which can not neglect.

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  • 意象批评的一个重要特征就是在语用环境中,批评话语所传达的意义不是话语中使用的词汇本身的意义,而是这些词语组成的“意象”所蕴涵的内在意蕴。

    A main feature of imago critique is that the true meaning is not the meaning of the words, but the implication of the "imago" formed by the words.

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  • 意象批评的一个重要特征就是在语用环境中,批评话语所传达的意义不是话语中使用的词汇本身的意义,而是这些词语组成的“意象”所蕴涵的内在意蕴。

    A main feature of imago critique is that the true meaning is not the meaning of the words, but the implication of the "imago" formed by the words.

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