画面中间的绿色皴擦既有视觉上的美感和动态，又恰好表现了枝叶、花蕾的粗糙质感和没枝叶斑驳的交错层次。
The light green strokes in the center, visually appealing and vivacious, texturize the roughness of foliage and bud, and at the same time enrich the intertwining layers of mottled leaves.
相对灵活地使用了斑驳的肌理语言，综合点染，皴擦多种笔法，特别强化了色彩的魅力，使笔墨服从于全画面的气氛。
He neatly used the mottled texture language and added spot-ink and iterative-wrinkle skills, especially highlighted the charm of colours, and finally got a good effect on the whole painting.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
董源之后，画家们又把皴与擦融为一体，进一步表现了物象的明暗层次，色彩的渲染对用皴擦表现光分布也起了辅助作用。
Dong Yuan, painters and wipe again Cun integration, further demonstrated the shades images, the color rendering of using performance-Cun wiping distribution also played a supporting role.
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