• 我先在画布上涂了一层蓝色水彩。

    First I applied a blue colour wash to the canvas.

    《牛津词典》

  • 此时,您的画布看上去应该类似于图8。

    At this point, your canvas should look similar to Figure 8.

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  • 在画布上选择房子。

    Select the house on the canvas.

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  • 画必须有坚硬的画架,这样画布才会绷紧,而且颜料不能变质、开裂或变色。

    Paintings must have rigid stretchers so that the canvas will be taut, and the paint must not deteriorate, crack, or discolor.

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  • 从诸如此类的画开始,画布就是整个对象和整个宇宙,除此之外什么也没有。

    Starting with paintings like this one, the canvas is the whole object and the whole universe, and there is nothing beyond it.

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  • 无论是梵高还是其他画家,都用画布现今表面上看到的肖像覆盖了第一幅画。

    Either van Gogh or another painter covered the first painting with the portrait now seen on the surface of the canvas.

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  • 他们不需要打碎颜料和画布;他们超越了这一点,打碎了整个逻辑思维的连续性。

    They did not need to smash paint and canvas; they went beyond this to smash the whole continuity of logical thought.

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  • 首先,你需要知道伦勃朗在画布上使用颜料的技巧——他的笔触,他的颜料有多厚。

    First of all, you'll need to know the techniques Rembrandt used when he applied paint to canvas—his brushstrokes, how thickly he applied his paint.

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  • 因为下面的女人的脸也出现在梵高画过的画布上,所以这幅凸版印刷一定是梵高的自画像。

    Because the face of the woman in the under image also appears on canvases Van Gogh is known to have painted, the surface painting must be an authentic self-portrait by Van Gogh.

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  • 画布撕裂的部分要小心地恢复到平整的状态,否则它将会恢复到由于事故造成的扭曲的状态。

    The torn portion of the canvas had to be gently coaxed back to its flat state, otherwise it would return to the distortion left by the accident.

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  • 印象派画家倾向于把颜料涂得很厚重,而且喜欢用笔触很粗的画笔,所以画布的纹理很粗糙。

    Impressionist painters tended to apply paint really thickly, and in big brush strokes, so the texture of the canvas was rough.

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  • 在这个函数的第一部分中,您设置了创建报告需要的对象,比如画布的宽度和高度以及填充变量。

    In the first section of this function, you set up objects needed to create the report, like the width and height of the canvas, as well as padding variables.

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  • 本杰明·富兰克林在84岁时创作了一些最好的作品,巴勃罗·毕加索直到80多岁还在画布上作画。

    Benjamin Franklin produced some of his best writings at the age of 84, and Pablo Picasso put brush to canvas right through his eighties.

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  • 同样的方法是否也适用于二十世纪的抽象作品呢?从蒙德里安的几何色块,到波洛克在画布上喷溅颜料看似随意的布局?

    Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

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  • 画布应该是光滑的和不吸水的。

    The working surface must be nonabsorbent and smooth.

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  • 开始,图形化编辑器的画布是空的。

    Initially, the graphical editor canvas will be empty.

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  • 下图所示的变量视图会取代画布。

    The canvas will be replaced by the variables view illustrated below.

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  • 画家的画笔在画布上飞掠。

    The painter swept a brush over his canvas.

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  • 将鼠标移动到画布上并单击。

    Move the mouse to the canvas and click.

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  • 画家把油画布紧绷在画框上。

    The painter stretched the canvas on a frame.

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  • 这将只能捕获在画布中实际显示的内容。

    This will capture only the actually displayed contents of the Canvas.

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  • 图1展示了我们的新画布。

    Figure 1 shows our new canvas.

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  • 画布现在应该像下面这样。

    Your canvas should now display as follows.

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  • 首先,画布是有衬里的么?

    For starters, is the canvas lined?

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  • 首先,画布是有衬里的么?

    For starters, is the canvas lined?

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