初春的太阳透过大框的玻璃照在房中，真可订本光明妒，而他的必中也是一片光挥灿烂，谁让他是剪纸王呢！
Early spring the sun through the large glass photo frame in the house, the true set of the bright jealous, while his will is also a light waving in the bright, Who he is a paper-king it!
在明清两代文献中，王慎中、唐顺之、归有光属于同一流派，然而，对这一流派的称谓，却没有明确的表述。
In the literature of Ming and Qing dynasties, Wang Shenzhong, Tang Shunzhi and Gui Youguang belong to the same school. However, there is no explicit designation for this school.
后来的唐宋诗词中，妇女乞巧也被屡屡提及，唐朝王建有诗说“阑珊星斗缀珠光，七夕宫娥乞巧忙”。
Later in the Tang and Song poetry, women has also been repeatedly mentioned in the Tang Dynasty, Wang said there is poetry "is made up of Pearl felt star, TANABATA busy."
在王光乐的创作中，透着一种苦行僧般的自我参悟的精神，回归到对本体身份的思考，渗透着一种禅意。
An ascetic self-reflection has permeated Wang Guangle's art practice and his works renews the thoughts, in the way of Buddhist mediation, on the objects themselves.
在王光乐的创作中，透着一种苦行僧般的自我参悟的精神，回归到对本体身份的思考，渗透着一种禅意。
An ascetic self-reflection has permeated Wang Guangle's art practice and his works renews the thoughts, in the way of Buddhist mediation, on the objects themselves.
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