李少红就是带着这种放飞自我的自由投入到她的电视剧创作中的。
It's the freedom that arouses Li shaohong's creation of TV play.
陈的下一部电影，一个心理惊悚片所谓的“门”的导演李少红，将根本与爱。
Chen's next film, a psychological thriller called "Door" directed by Li Shaohong, will have nothing to do with love.
当被问及如何看待外界对新红楼造型质疑时，李少红称设计并非凭空想像，而是吸收了古典元素。
Asked about criticism on the designing of characters' images, Li expressed her approval, saying the designing has taken classic elements and are not completely imaginary.
正是在这一背景下，李少红的电视剧作品，以其对当下电视剧整体形象的超越和另类风格赫然跃入观众的视野。
Under this background the plays directed by Li Shaohong relying on their image that surpasses all others and their specific style came within viewers' range of vision and got high in the ratings.
论文以李少红影视作品为切入点，探寻了李少红的艺术创作风格及其形成过程，解读她的创作与作品的现实意义。
On the base of analyzing opuses this dissertation explored the forming process of LiShaohong's work style and unscrambled the realistic purport of her opuses.
李少红影视选择了属于她自己的独特女性表达方式，昭显女性正在艰难地从历史空缺中浮出地表，成为“可见的人类”。
She has chosen her own unique way of expression of female, revealing that women are emerging to the surface arduously from their historical vacancies and becoming visible.
李少红影视选择了属于她自己的独特女性表达方式，昭显女性正在艰难地从历史空缺中浮出地表，成为“可见的人类”。
She has chosen her own unique way of expression of female, revealing that women are emerging to the surface arduously from their historical vacancies and becoming visible.
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