巴里和富塞利的精神常驻人间。
1782年，富塞利首次展出《梦魇》一作，每天观摩者创纪录地达到3000人。
In 1782 Fuseli exhibited "the Nightmare" for the first time, drawing record crowds of up to 3,000 people a day.
巴里和富塞利这两个名字算不上家喻户晓，实际上自维多利亚时代以来，世人对他们已经不闻不问。
Barry and Fuseli are hardly household names; indeed since Victorian times they have been virtually ignored.
当过传教士后来被迫离开祖国瑞士的富塞利跟巴里不一样，他较为理智地看待伦敦艺术境况。
Unlike Barry, Fuseli-a former preacher who was forced to leave his native Zurich-looked rationally at the London art scene.
克里斯托弗爵士认为，富塞利的这幅画以及取材于密尔顿和莎士比亚作品的那些画作，乃是探寻18世纪民族神话的一部分。
Sir Christopher sees this painting, together with Fuseli's scenes from Milton and Shakespeare, as part of a search for national myths in the late 18th century.
不过，在18世纪晚期，富塞利曾经是早期皇家美术学院(A)杰出会员和颇具影响力的画师，巴里曾一度也是如此。
But in the late18 th century, Fuseli, and for a short time Barry also, were prominent members of the young Royal Academy of Arts (RA) and influential professors of painting there.
不过，在18世纪晚期，富塞利曾经是早期皇家美术学院(RA)的杰出会员和颇具影响力的画师，巴里曾一度也是如此。
But in the late 18th century, Fuseli, and for a short time Barry also, were prominent members of the young Royal Academy of Arts (RA) and influential professors of painting there.
比如：瑞士出生的艺术家亨利·富塞利（HenryFuseli）就描绘了麦克白第一次在荒野上见到三女巫的几个著名场景。
The Swiss-born artist Henry Fuseli, for instance, made several versions of the famous moment when Macbeth meets the three witches for the first time on the heath.
克莱格还列出了一个“只要他们愿意，就可让他变富”的富人名单，这些富人包括歌星嘎嘎小姐、股神巴菲特、影星加里 布塞、棒球明星汤姆 西沃尔等等。
He also listed and asked dozens of wealthy individuals, including Lady Gaga, Warren Buffett, Nelson Mandela, Gary Busey and Tom Seaver, who he claimed could make him rich if they wanted to.
第二选择是富勒姆36岁老将安蒂·尼米，他在主力门将的争夺中败给了美国球员卡塞。凯勒。
The second option sis Fulham veteran Antti Niemi, 36, who has lost his first team place at Craven Cottage to the American Kasey Keller.
第二选择是富勒姆36岁老将安蒂·尼米，他在主力门将的争夺中败给了美国球员卡塞。凯勒。
The second option sis Fulham veteran Antti Niemi, 36, who has lost his first team place at Craven Cottage to the American Kasey Keller.
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