认为这种冲突有宗教基础的想法是不切实际的，因为即使是教皇也无法控制这种冲突。
The idea that there is a religious basis for this clash is illusory, for not even the Pope has been able to control it.
他们传承下来的的思想和传统为西方世界的主要宗教——犹太教、基督教和伊斯兰教——奠定了基础。
They carried with them the idea and the traditions that laid the foundation for the major religions of the western world: Judaism, Christianity and Islam.
然而，到目前为止，在我们这个时代，宗教的力量已经减弱，对许多人来说，现代政治和道德秩序的基础已经被摧毁。
By now, in our time, however, the power of religion has faded, and for many, the basis of modern political and moral order has been demolished.
另一方面，这种重复的行为榜样体现在宗教仪式的可重复性，这种可重复性也是所有衍生的媒体复制技术的基础。
For another, the role model for this repetition is found in the repeatability of religious rituals, which is the foundation for the emergence of all subsequent medial reproduction technologies.
作为文化区域组分的这些文化能够产生新的文化特质，而支撑其共同文化倾向的则为宗教信仰上的共同基础。
As culture provincial team, these cultures can present new cultural traits whose common cultural preference being sustained by common foundation from their religion.
本文分析了东乡族宗法文化的表现形态、主要特点及其成因，并在此基础上提出了复合型宗教性宗法文化的概念。
Based on analysis of the main forms, characters and causes of the patriarchal culture of the Dongxiang people, this paper puts forward the concept of compound and religious patriarchal culture.
在西方历经文艺复兴及其宗教改革和启蒙运动，教育的合理性基础发生了由以客观理性为合理性基础向以主观理性为合理性基础的移转。
After Revival of learning, Religious Reformation and Enlightenment movement in the Western world, the base of educational rationality has shifted from objective reason to subjective reason.
经过长期的努力与开拓，关于《旧约》文本的性质和内涵，从研究角度、研究方法到研究主题等都形成多元化格局，进而在宗教学、历史学和文学研究基础之上，又催生了《旧约》传记研究的产生。
On the nature and content of the Old Testament, we have created a multi - dimensional situation about the research point, method and the theme, even now the research with biography theory.
关于古希腊戏剧的起源有很多理论，其中一个现在最为普遍被人接受的理论是建立在戏剧从宗教仪式演化而来这一假设的基础上。
There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual.
关于古希腊戏剧的起源有很多理论，其中一个现在最为普遍被人接受的理论是建立在戏剧从宗教仪式演化而来这一假设的基础上。
There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual.
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