透过后现代戏剧同现代主义戏剧的比较视界，对后现代戏剧的主要特征进行描述。
It is to describe the main characteristics of the post-modern drama through the comparison between the post-modern drama and the modernist drama.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
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