贝多芬本可以把低音部也改成三连音。
旋律和低音部都可以运用三连音，但是他选择低音两拍，高音三拍。
Both melody and bass could have had a triplet but he chose to have the duple in the bass — the triple up above.
一旦合手弹奏变得通顺，把三连音加回来就较比容易了，而且你可以几乎不出错地弹奏。
Once this HT becomes comfortable, adding the triplets will be easier, and you can do it with much less chance of incorporating mistakes.
这是首有趣的诗，你会得到三连音的押韵，让你确实觉得弗罗斯特在开玩笑，这就像光的韵律一样。
It's a very funny poem, and you've got triplet rhymes there to make sure you know that Frost is joking, and it feels like light verse.
当然，它是小调的，人声将会进入，但低音是这样，按基本的二拍子缓慢地行进，但在那下面还用了一个三连音的节奏细分。
Of course, it's in minor and the voices will come in, but the bass is going, sort of plodding along in a basic duple but with a triple subdivision underneath of that.
当然，它是小调的，人声将会进入，但低音是这样，按基本的二拍子缓慢地行进，但在那下面还用了一个三连音的节奏细分。
Of course, it's in minor and the voices will come in, but the bass is going, sort of plodding along in a basic duple but with a triple subdivision underneath of that.
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