Zhou Zuoren showed immense enthusiasm for Greek culture.
周作人对希腊文化表现出极大的热情。
The irony is one of especial prose theory in Zhou Zuoren prose.
反讽，是周作人散文中一种独特的诗学命题。
So we may say Zhou Zuoren has not won the reputation that he should have bee…
也就是说，周作人的散文远远没有得到它所应得到的地位。
Zhou Zuoren, who actively collected and studied Ballads, is a typical example.
周作人对民间歌谣研究的倡导以及搜集整理，就是一个比较典型的例子。
And summarize the individual character of Zhou Zuoren 's suffering consciousness.
并总结周作人忧患意识的个体特征。
Zhou Zuoren is Beijing University professor and May Fourth New Culture Movement's spiritual mentor.
周作人则是北大教授和“五四”新文化运动的精神导师。
Lu Xun and Zhou Zuoren s new poem creation have the generality, but the heterogeneity is more obvious.
鲁迅与周作人的新诗创作有共性，但异质性更为明显。
Zhou Zuoren is not only the founder of Chinese new literature, but also the pioneer of modem folklore.
周作人是中国新文学理论的奠基人，同时又是中国现代民俗学的拓荒者。
Although there was an upsurge of the investigation about Zhou Zuoren after the 1980's, it slipped quickly like a meteor.
80年代以后虽然经历了一场周作人研究热潮，但也犹如流星般一滑而过。
As for Zhou Zuoren, external reason have three aspects mainly: golden childhood, Greek mythology, and Japan civilization.
影响周作人创作中的童心意识表现的外在原因主要是三方面的：金色的童年、古希腊神话和日本文化。
Zhou Zuoren, who pays much attention to the language style and it's beauty, shows unique and profound theory on modern prose.
基于对语言形式自身审美价值的关注，周作人对现代散文语言的理论思索是颇为独特而深刻的。
The second part I combs according to the direct-viewing characteristic which Zhou Zuoren "the literature of man" view presents.
第二部分按照周作人“人的文学”观所呈现出的直观特征归纳梳理。
Zhou Zuoren and Wang Yizhu. trans. Collection of Japanese Ancient Essays. Beijing: People 's Literature Publishing House, 1998.
周作人王以铸译：《日本古代随笔选》。北京：人民文学出版社，1998年。
Two ghosts" is the generalization made by Zhou Zuoren of self-contradictoriness, and is also the universal recognition of him."
两个鬼”是周作人对自身矛盾性的一种概括，亦是人们对他的普遍认识。
Zhou Zuoren had the most articles on the "person" in theory. He was the first person made the slogan of "the literature of man ".
在理论上对“人”探讨最多的是周作人，他第一个旗帜鲜明地提出了“人的文学”口号。
Zhou Zuoren is the first to introduce it to China, and as early as 1909, he put it in the extraterritorial collection of stories.
周作人是最早将它介绍到中国来的，早在1909年，他就将其列入了兄弟俩合译的《域外小说集》中。
There are qualitative differences between the causes of Zhou Zuoren proses gentle plain style and those of traditional literature.
周作人散文平和冲淡风格形成的原因和传统文学中平和冲淡风格形成的原因有质的不同。
The Potherb of hometown by Zhou Zuoren is a milestone not only in his writing career but also on the Chinese modern essays history.
周作人的美文《故乡的野菜》，不但在其自己的创作生涯中，乃至中国现代散文史上，都是一个里程碑式的篇章。
Zhou Zuoren is prose master who in the Chinese modern history of literature recognizes, also is quite the negative dispute character.
周作人是中国现代文学史上公认的散文大师，亦是颇负争议的人物。
Zhou Zuoren s strong bitter nostalgia here refers to his temperament to understand and explain human life from sorrow and desperation.
本文之所谓周作人的“苦质情结”，是指他往往偏于从悲苦、绝望一面去体悟人生、解释世界的一种气质特征。
Zhou Zuoren is one of important writers in contemporary Chinese children literature and he is particularly famous for his children poems.
周作人与中国现代儿童文学有着重要的渊源，尤其与儿童诗歌有着千丝万缕的关系。
The plain aestheticism is not only favored by Chinese traditional aesthetics but also an important characteristic of Zhou Zuoren s prose.
冲淡美不但被我国传统美学所青睐，更是周作人散文的一个重要特色。
Prose in remarking on books is the style that Zhou Zuoren had pursued all his life. In his eyes, it is the genuinely free prose with personality.
书话体散文是周作人追寻已久的生命文体，是他心中真正自由的个性散文。
In view of Zhou Zuoren and Ba Jin's translation and the different repercussions caused, this article continues to explore the reasons of the differences.
鉴于周作人和巴金译本所引起的截然不同的反响，本文将着重探讨其差异的原因。
Because Of the poor health when he was a boy, Zhou Zuoren always lived under others' care, which affected him very much: the integration of his life consciousness of self and identity of the weak .
由于自幼体弱多病，周作人在成长过程中得到了亲人的过度关爱，这影响于他的“自我”就是生命意识的凸显和弱者的自我认同的合一。
Zhou-zuoren"s conception of personal showing is not estrangement to life but in relation to life by art angle."
周作人“个人表现”的文学本质观并不是与人生的疏隔，而是以独特的艺术的角度使文学与人生相通。
Zhou-zuoren"s conception of personal showing is not estrangement to life but in relation to life by art angle."
周作人“个人表现”的文学本质观并不是与人生的疏隔，而是以独特的艺术的角度使文学与人生相通。
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