From the point of view of literature aesthetics, the ontology is 'Yi' in Yun Yu Yang Qiu.
《韵语阳秋》文艺美学“意”本体定位有两个立足点：一，文艺作品内蕴之“意”相对于诸形式因素的本体性；
Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠，这两部作品凝聚着中国古典悲剧艺术的精华，采取几乎相同的艺术手法，营造了悲苦的艺术境界。
Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠，这两部作品凝聚着中国古典悲剧艺术的精华，采取几乎相同的艺术手法，营造了悲苦的艺术境界。
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