How could Xiangzi not see all this?
祥子怎能没看见这些呢。
Ruan Ming sold ideas for money, Xiangzi accepted ideas for money.
阮明为钱，出卖思想；祥子为钱，接受思想。
Xiangzi was afraid that Gao Ma might be listening behind the door.
祥子唯恐怕高妈在门里偷着听话儿。
Xiangzi had been brought up in a northern village where cursing was taboo.
祥子生在北方的乡间，最忌讳随便骂街。
Xiangzi is a typical character in the gallery of the 20th century literature.
骆驼祥子是二十世纪文学画廊中的典型。
This film has it setting in old Beijing, telling the story of Xiangzi and Huniu.
影片以旧时代的北京为背景，叙述了祥子和虎妞的遭遇。
As he passed him, Xiangzi saw at a glance that he was a member of the secret police.
自行车把祥子让过去，祥子看了车上的人一眼。
Xiangzi in Camel Xiangzi by Laoshe is a typical image of individualist in modern China .
老舍《骆驼祥子》中的祥子形象，堪称中国现代市民个性主义形象的典型代表。
The novel ends with a broken Xiangzi picking up cigarette-ends to eke out a miserable living.
小说末尾，落魄的祥子靠着捡烟头来艰苦维持着悲惨的生活。
As the old woman was eager to wait and see the effect of the charm, Xiangzi had to give her a meal.
陈二奶奶热心的等着看看神符的效验，所以祥子得给她预备点饭。
Xiangzi went out bright and early and by only four or five in the afternoon felt he had done enough.
祥子一清早就出去，转转到四五点钟，已经觉得卖够了力气。
Ruan Ming desired the strength of the masses, Xiangzi desired more ease and comfort, like Ruan Ming's.
阮明要的是群众的力量，祥子要的是更多的——象阮明那样的——享受。
Lao She’s portrayal of Xiangzi is far more sympathetic and humane than Lu Xun’s savage caricature of Ah Q .
老舍刻画的祥子比鲁迅犀利漫画式阿Q更加令人同情和更有人情味。
Although as a person he was fine, this failing of his made it hard for Xiangzi to respect him wholeheartedly.
在为人上，老程虽然怪好的，可是有了这个缺点，祥子总不能完全钦佩他。
Xiangzi s tragedy gives expression to such three aspects as fate tragedy, character tragedy and religion experience.
祥子的悲剧体现在命运悲剧、性格悲剧、归依体验三个方面。
Now she was going to make up for this, she wanted to swagger around the streets and markets enjoying herself with Xiangzi.
现在，她要捞回来这点缺欠，要大摇大摆的在街上，在庙会上，同着祥子去玩。
The images of Xiangzi and Ah Q are the great contributions of Luxun and Laoshe to Chinese literature in the 20th century .
阿Q和祥子形象的塑造，是鲁迅和老舍对20世纪中国文学的伟大贡献。
Xiangzi was country born and bred. At eighteen, having lost his parents and their few mu of poor land, he fled to the city.
生长在乡间，失去了父母与几亩薄田，十八岁的时候便跑到城里来。
So it went till the end of the month when even Xiangzi could see that her time had really come. Tigress hardly looked human.
一直闹到月底，连祥子也看出来，这是真到了时候，她已经不象人样了。
Anopheles cool history at an early age, a little longer before learning Chinese medicine theory. 1924 hanging in Xiangzi pot.
自幼酷嗜史学，稍长，始自学中医理论。1924年悬壶于乡梓。
He had been afraid that Xiangzi was lying and that the thirty dollars were loot, in which case he did not want to take charge of it.
他怕祥子的话有鬼病，万一那三十块钱是抢了来的呢，他不便代人存着赃物。
The amount of "Neimen Ruiai topware" four words, on both sides of the wall brick, retained the Han Xiangzi blue and He Xiangu, and Lv Dongbin four cents pattern.
内门额“瑞霭彤云”四字，两侧墙上保留有砖雕韩湘子、蓝采和、何仙姑、吕洞宾四仙图案。
To begin with analysing the leading character Xiangzi (Camel Xiangzi), this essay is trying to dig fully and profoundly the tragic implications in "Rickshaw Boy".
试从祥子这个主人公入手，全面深入地挖掘《骆驼祥子》的悲剧意蕴。
"Camel Xiangzi" as a great literary realism, in terms of its historical background, ideological content and story plot, are permeated with the aesthetic thought of literature and art.
《骆驼祥子》作为一部伟大的现实主义文学作品，在其历史背景、思想内涵及故事情节等方面，都渗透着美学的文艺思想。
"Camel Xiangzi" as a great literary realism, in terms of its historical background, ideological content and story plot, are permeated with the aesthetic thought of literature and art.
《骆驼祥子》作为一部伟大的现实主义文学作品，在其历史背景、思想内涵及故事情节等方面，都渗透着美学的文艺思想。
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