We see him snorting and mainlining cocaine.
我们看到他吸食并注射可卡因。
我们看见他离开那所房子。
Whenever we see him we speak to him.
每次见到他，我们都和他说话。
我们可以在我们的钱币上看到他。
Shall we see him off at the airport?
我们到机场给他送行好吗？
We see him as an authority on the subject.
我们把他看作为这方面的权威。
Whenever we see him, we speak to him.
我们每次看到他，都同他说话。
We see him as an authority on the subject.
这些文件使你获得你需要的职权。
Can we see him? Right now there is no point.
我们能看看他吗？现在还毫无意义。
We see him when he comes to town, but that isn \ 't often.
他进城时我们能见到他，但这种情况不常有。
We see him when he comes to town, but that isn't often.
他进城时我们能见到他，但不经常。
We see him when he comes to town, but that isn't often.
他进城时我们能见到他，但这种情况不常有。
We're really worried sick until we see him safely back home.
我们担心得要命，直到见他回家才把悬著的心放下。
He's always joking; rarely do we see him in such a solemn mood.
他老是爱开玩笑，我们确实很少见到他这么一本正经。
All the time we see him, all the time he shines in his gentle way.
每次我们看见他，他都以他温文的风度而引人注目。
We see him whole, and our vision is unobstructed by the pettiness in life.
我们看到了完整的他，生活的琐屑阻碍不了我们的想望。
We see him first as some sort of comic relief only, which made the audience warm up to him.
我们第一眼看到这家伙觉得略带喜感，这让观众对其产生了不少好感。
When we see the cane chair, it seems that we see him sitting there, writing quickly in excitement.
当我们看到这把藤椅的时候就好像看到了他在那里奋笔疾书。
Here on earth we have no immediate perception of God; we see Him but indirectly in the mirror of creation.
就在地球上，我们没有即时感知上帝的，我们看到他，但间接地在镜子里的创作风格。
Then, in the end when we see him old again, he looks down and it is still spinning, he knows he is not in reality and goes for the gun.
然后，在结束时我们再一次看到他老的样子，他往下看，它还是在不听地转，他知道他不在现实中就拿起了枪。
"Why do we see him everywhere?" the contradiction of wood rod two crow, they looked at the scarecrow felt dissatisfied with the paddy fields.
“为什么我们在哪里都可以看到他？”木头杆上的两只乌鸦发生了激烈的矛盾，他们望着稻田里的稻草人感到一丝不满。
Now we know there was a deleted scene where we see him finishing it, but we don't explain where he got the crystal, we don't explain how he got the parts.
现在我们知道有个删剪片段，那片段里我们看见他把光剑做好了，但是我们没有解释他从哪里得到的水晶，我们没有解释他是怎么搞到那些零件的。
Producer David Heyman indicated that Credence's character and the struggles we see him go through in the film are a metaphor for the dangers of repression.
制片人大卫•海曼表示，克雷登斯这个角色以及片中他的遭遇都象征着压抑情感的危害。
Producer David Heyman indicated that Credence's character and the struggles we see him go through in the film are a metaphor for the dangers of repression.
制片人大卫•海曼表示，克雷登斯这个角色以及片中他的遭遇都象征着压抑情感的危害。
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