In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(ImaiTadashi)的《待到重逢时》(UntilWeMeetAgain, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。
And then again (another masterpiece), what about this young woman in the black hat and heavy necklace, standing with her back to us on a motor-boat in the Guidecca Canal in Venice?
如果换一幅画面，如果是一位年轻的女性戴着黑色的帽子和沉沉的项链，背向我们坐在一艘威尼斯的摩托艇上？
And then again (another masterpiece), what about this young woman in the black hat and heavy necklace, standing with her back to us on a motor-boat in the Guidecca Canal in Venice?
如果换一幅画面，如果是一位年轻的女性戴着黑色的帽子和沉沉的项链，背向我们坐在一艘威尼斯的摩托艇上？
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