In the first place, it is easier to pin a meaning-word on a Tschaikovsky piece than on a Beethoven one.
首先，对柴可夫斯基的作品比对贝多芬的作品要容易找表达意义的词。
Few great names in music spell as much magic to the average concert-goer as that of Peter Ilyitch Tschaikovsky.
对一般经常去听音乐会的人来说，在伟大的音乐家中还很少有像柴可夫斯基这个名宇如此让人着迷。
There was but one person on intimate terms with Tschaikovsky - Nadyezhda von Meck. Yet it was an intimacy of correspondence.
只有一个人跟柴可夫斯基有着亲密的关系，那就是娜蒂契达·冯·梅克，但这仅限于通信来往。
For of all the classical composers tschaikovsky has been a veritable gold-mine as a lucrative source of themes for popular arrangements.
因为，在所有的古典作曲家中，柴可夫斯基是一座真正的金矿，有如一个源泉，不断地出现可供改编为流行歌曲的主题。
Only Beethoven and Mozart can rival Tschaikovsky in the number of compositions in various musical forms that stand out as repertory favorites.
在那些非常杰出而成为人们所喜爱的各种音乐形式的乐曲中，只有贝多芬和莫扎特才能在数量上同柴可夫斯基相匹敌。
Although Tschaikovsky himself thought of the Pathetic symphony as his crowning masterpiece, the premiere on October 28 1893, in St. Petersburg proved a disappointment.
尽管柴可夫斯基自己认为《悲沧交响曲》是他最高的成就，可惜1893年10月28日在圣彼得堡的首次演出却是令人失望的。
Although Tschaikovsky himself thought of the Pathetic symphony as his crowning masterpiece, the premiere on October 28 1893, in St. Petersburg proved a disappointment.
尽管柴可夫斯基自己认为《悲沧交响曲》是他最高的成就，可惜1893年10月28日在圣彼得堡的首次演出却是令人失望的。
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