I don't know why George likes these things, but, as Shakespeare's Troilus says, "What is aught, but as 'tis valued?"
但是就像莎士比亚话剧里的特洛伊罗斯说的：‘没有用的东西，就没有价值吗？’
Geoffrey Chaucer (c. 1343-1400), who wrote The House of Fame, Troilus and Criseyde, The Legend of Good Women and The Canterbury Tales;
杰弗里·乔叟（约1343～1400），写有《声誉之宫》、《特罗拉斯与克莱西德》、《善良女子的传说》和《坎特伯雷故事集》；
Beauty wit high birth vigour of bone desert in service love friendship charity are subjects all to envious and calumniating time. Troilus and Cressida 3.
美貌、聪明、门第、臂力，事业、爱情、情谊和仁慈，都必须听命于妒忌而无情的时间。
Beauty, wit, high birth, vigour of bone, desert in service, love, friendship, charity, are subjects all to envious and calumniating time. (Troilus and Cressida.)
美貌智慧门第臂力，事业爱情友谊和仁慈，都必须听命于妒忌而无情的时间。——特洛伊·罗斯与克瑞西达。
Beauty, wit, high birth, vigour of bone, desert in service, love, friendship, charity, are subjects all to envious and calumniating time. (Troilus and Cressida).
美貌、智慧、门第、臂力，事业、爱情、友谊和仁慈，都必须听命于妒忌而无情的时间。——莎士比亚《特洛伊·罗斯与克瑞西达》。
Beauty, wit, high birth, vigour of bone, desert in service, love, friendship, charity, are subjects all to envious and calumniating time. Troilus and Cressida 3.
美貌、智慧、门第、臂力，事业、爱情、友谊和仁慈，都必须听命于妒忌而无情的时间。
Other performances include "Julius Caesar" in Italian, "Troilus and Cressida" in Maori, "the Tempest" in Arabic and "Love's Labour's Lost" in British sign language.
其他剧目还包括意大利语版《凯撒大帝》、毛利语版《特洛伊·罗斯与克瑞西达》、阿拉伯语版《暴风雨》，以及用英国手语演绎的《爱的徒劳》等。
From the perspective of Relevance Chaucers, Chaucer s Troilus and Criseyde is a typical form of ostensive-inferential communication between the writer and the reader.
从关联理论的角度来看，乔叟的《托与克》堪称是诗人与读者之间进行的一种典型的明示—推理交际。
From the perspective of Relevance Chaucers, Chaucer s Troilus and Criseyde is a typical form of ostensive-inferential communication between the writer and the reader.
从关联理论的角度来看，乔叟的《托与克》堪称是诗人与读者之间进行的一种典型的明示—推理交际。
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