But it is not abundant to comment a Dream of Red Mansions with tragic theory.
但悲剧说对《红楼梦》的解说并不充分。
This paper analyses the orbit of establishing tragic theory of a Dream of Red Mansions, it reveals the internal threads of forming tragic idea of a Dream of Red Mansions.
文章对红楼悲剧建构轨迹的检索，揭示了红楼悲剧意识形成的内在线索。
The modern tragic theory in the West emphasizes the tragic object's aesthetic value and neglects its moral value. Pointing the root of tragic conflict to the people's inner contradiction.
西方现代悲剧理论强调悲剧对象的审美价值而忽略其道德价值，并将悲剧冲突的根源指向人的内心矛盾。
Modernist literature has optimized tragic content under the influence of Freud's theory, hence giving rise to the black humor, which is drastically different from traditional humor.
这种思想的影响，使得现代主义文学对悲剧的内容进行喜剧化的处理，从而形成了与传统幽默大相径庭的黑色幽默。
By using his theory of narrative drama, Brecht was unequivocally opposed to the traditional tragedy of the purification and resonance of thought, but not opposed to the tragic of drama.
布莱希特运用他的叙事戏剧理论旗帜鲜明地反对传统悲剧中的净化与共鸣思想，但并不反对戏剧的悲剧性。
Previous researches on this poem are mostly concentrated on imagism and symbolism, but few researchers have studied this poem from the theory of defamiliarization, not to mention the tragic color.
该诗的研究多集中在意象和象征主义，但从陌生化理论角度来研究的很少，研究其悲剧色彩更少。
In the introduction, the writer mainly combs the tragic connotation, which was contained in Fangfang's novels, and points out the theory center of resistance in the course of the proof.
引言主要对方方小说中所蕴藏的悲剧内涵进行梳理，并指出在论证过程中所依据的理论支撑。
This thesis takes the Pessimistic theory as the main clue, as well as systematic discussion on Nietzsche's tragic aesthetes.
本文以研究尼采的悲剧理论作为贯穿全文的主线，对尼采的悲剧美学进行系统的探讨。
Eagleton deconstructs tragic hero who appears in the literary history in the time order, stripping the relevant elements from them, building a theory of 'scapegoat 'as a new type tragic figure.
伊格尔顿按照时间顺序对历史上曾经出现的悲剧主人公形象进行解构，从他们身上剥离出相关要素，构建了替罪羊这种全新的悲剧人物形象。
Eagleton deconstructs tragic hero who appears in the literary history in the time order, stripping the relevant elements from them, building a theory of 'scapegoat 'as a new type tragic figure.
伊格尔顿按照时间顺序对历史上曾经出现的悲剧主人公形象进行解构，从他们身上剥离出相关要素，构建了替罪羊这种全新的悲剧人物形象。
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