He did the same with “Ryan’s Daughter” (1970), in which Mr Lean wanted nothing Irish: not only sliding in the rhythm of a suppressed gig in the title theme, but scoring for eight harps.

创作《瑞安的女儿》时，也是一样大费周折。里恩先生不想要爱尔兰元素：不仅标题旋律中压抑的马车节奏，而且八个竖琴的配乐，都不能有爱尔兰风格。

youdao

He did the same with “Ryan’s Daughter” (1970), in which Mr Lean wanted nothing Irish: not only sliding in the rhythm of a suppressed gig in the title theme, but scoring for eight harps.

创作《瑞安的女儿》时，也是一样大费周折。里恩先生不想要爱尔兰元素：不仅标题旋律中压抑的马车节奏，而且八个竖琴的配乐，都不能有爱尔兰风格。

youdao