In cirticizing the theory of imitation in literature, people talk about aesthetic fiction more and more frequently.
在反思摹仿论的时候,人们越来越多谈及审美虚构。
Plato's thoughts consist of three aspects: the theory of imitation, the theory of effectiveness and the theory of inspiration.
柏拉图的文艺思想包括如下三个方面:摹仿说,效用说和灵感说。
The influence that Platonism especially the theory of imitation, inspiration and imagination has exerted on romantic poets and their poetry is analyzed.
事实上,浪漫主义诗人受到柏拉图主义关于模仿、灵感和想象方面理论的启发,进而形成了自己的宣言和理论。
Hegel recognized the drawbacks about the theory of imitation and opposed it, putting forward new viewpoints from his thought that Beauty is the perceptual appearance of ideas after Kant.
是黑格尔继康德之后,从其“美是理念的感性显现”的哲学、美学思想出发,认识到传统摹仿说的弊端,进而反对摹仿说,提出新观点。
The Bow-wow theory sees primitive language as an imitation of natural sounds, such as the cries of animals, like quack, cuckoo.
该吠声理论认为,原始的语言,模仿自然的声音,如动物的呼声一样,庸医,杜鹃。
Theoretically, model—imitation practice is based on the imitating theory of behaviorism.
从理论上而言,范文模仿法是以行为主义的模仿理论为基础的。
The imitation theory of art is the beginning of western literary aesthetics, which is the earliest theory about the nature and source of art.
模仿论是西方文艺美学的开端,它是最早关于艺术本质和起源的理论。
Theory of imitation is a kind of rationalist aesthetic conception which admits that the central position of reality and artists' artistic expression and art symbols can truly reproduce reality.
模仿论是一种理性主义的美学观,它肯定实在世界的中心地位和艺术家的艺术表现以及艺术符号可以真实地再现实在世界。
Titchener's theory was that empathy stemmed from a sort of physical imitation of the distress of another, which then evokes the same feelings in oneself.
铁钦纳的理论是:同感发自对他人痛苦 的一种身体模仿,这种模仿继而在自身引起同样的心理感受。
Imitation is one of the most important conceptions of western aesthetics and theory of literature.
“模仿”是西方美学和文论中最为重要的范畴之一。
Giving an imitation of traditional plastic theory , a damage surface model on brittle rock about temperature in stress-space is introduced and the evolutionary law is discussed qualitatively.
参照经典塑性力学的屈服面理论,引入了温度作用下应力空间中脆性岩石的损伤面模型,定性地讨论了荷载和温度影响下损伤面时的演化规律。
Facing the practice of contemporary art, Danto points out the limitation of defining the new art with traditional imitation theory and provides a new framework of definition centering on"artworld".
丹托面向当代艺术实践,指出传统模仿论在规定这种新兴艺术方面的乏力,给出了以“艺术界”为核心的新的定义框架。
Titchener's theory was that empathy stemmed from a sort of physical imitation of the distress of another, which then evokes the same feelings in oneself.
铁钦纳的理论是:同感萌发自对他人痛苦的一种身体模仿,这种模仿继而在自己心里引起同样的感受。
In the early ancient Greece, philosophers varied greatly in terms of their own philosophical point of views make the illustration of the imitation theory of.
早在它诞生的古希腊时代,哲学家对它的阐述就因哲学立场的不同而面目迥异。
In the early ancient Greece, philosophers varied greatly in terms of their own philosophical point of views make the illustration of the imitation theory of.
早在它诞生的古希腊时代,哲学家对它的阐述就因哲学立场的不同而面目迥异。
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