The situational irony and the image irony are the major artistic forms of irony in contemporary Chinese fiction.
情境反讽与意象反讽是中国当代小说反讽艺术的主要表现形式。
The image irony mainly incarnates ironic significance through the unique preposterous combination between symbolic form and symbolic intension of the image.
意象反讽主要是通过意象象征体与象征意旨之间悖逆乖离的独特结合方式体现出浓郁的反讽意味。
The first point of irony is that everyone who looks at the Time cover doesn't see others with whom they are supposed to be in direct exchange - what they see is a mirror-image of themselves.
首要的讽刺就在于，每一个看《时代》封面的人都无法看到与其进行直接交流的对象——他们看到的不过是自身的镜像而已。
The diversification of the subject matter, subject, flexible application of irony, and marginalized personage image compose Wang Shuo's characteristic work.
创作题材的多样化、对话建构小说的主体、讽刺手法的灵活运用以及边缘化人物形象的塑造等等组合出富有特色的王朔作品。
The diversification of the subject matter, subject, flexible application of irony, and marginalized personage image compose Wang Shuo's characteristic work.
创作题材的多样化、对话建构小说的主体、讽刺手法的灵活运用以及边缘化人物形象的塑造等等组合出富有特色的王朔作品。
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