The existentialist does not believe in the power of passion.
存在主义者不相信热情的力量。
The existentialist thinks it very distressing that God does not exist.
存在 主义者 来说，这一切是至关重要的。
The existentialist understanding of this self-deception is living in Bad Faith.
存在主义对自我欺骗的理解是不守信。
Simone DE Beauvoir is a representative personality of the existentialist perspective on women.
西蒙·德·波伏娃是存在主义女性观的代表人物。
And besides that the influence of existentialism on Murdoch is explored. Murdoch was greatly influenced by the existentialist philosopher Sartre.
默多克在哲学上深受法国存在主义作家萨特的影响，她的许多优秀作品都蕴含着浓厚的存在主义哲学思想。
What are the intellectual resources you see in the existentialist feminism of Beauvoir which have stimulated your vital new insights in feminist theory?
您是如何利用波伏娃存在主义女性主义的思想资源来激发您的女性主义理论的全新思考？
Martin Heidegger, the existentialist philosopher, has explored the origin and essence of modem technology from the perspective of ontological significance of existence.
存在主义哲学家海德格尔从存在的本体论意义出发探究了现代技术的根源和本质。
Existentialist philosopher Jean-Paul Sartre emphasised the connection between freedom and responsibility.
存在主义哲学家让-保罗·萨特强调自由与责任的关系。
Its heroine, Dominique, is a terminally bored 20-year-old with existentialist leanings, none the wiser than her predecessor, albeit with a charming (and distinctly French) sense of nonspecific doom.
女主角多米尼克20岁是一个颓废的存在主义倾向者，没比前本书里的主人公聪明多少，但这种平凡的命运又有一种(很法国的)迷人感。
As defined from an existentialist perspective, our lives are defined by the choices we make.
从存在主义的观点来定义，我们的生活就是我们做出的选择。
It is, to use another key term in existentialist thought, the ultimate in total responsibility.
用存在主义思想的另一个关键词来说，它是全部责任中最终极的。
I think part of the answer is in another existentialist concept, possibility, infinite possibility.
我想部分的答案在于存在主义的另一个概念，可能性，无限的可能性。
The first is typical of the woman the world thought it knew. The second sounds as though it had wandered in from some 1950s existentialist drama.
前者是她为世人所熟知的典型论调，后者却像是从上世纪50年代某部存在主义戏剧里讲出来的话。
By applying existentialist theories from three aspects: man and the world, man and others, as well as man and self.
本文试运用存在主义哲学理论，从人与世界、人与他人及人与自我三个方面来解读这部荒诞派戏剧的经典剧作。
Existentialism dispenses with any judgment of this sort: an existentialist will never take man as the end, since man is still to be determined.
存在主义从来不作这样的判断；一个存在主义者永远不会把人当作目的，因为人仍旧在形成中。
Sartre's existentialist philosophy is the poetic theory about the significance of life and Sartre's existentialist literature is the philosophic discourse about the value of life.
萨特的存在主义哲学是阐释生命意义的诗性学说，萨特的存在主义文学是追问人生价值的哲学言说。
The Stranger, by Albert Camus, was published in 1942 and is widely cited as an example of existentialist literature, and an important contribution to modern philosophy.
阿尔贝•加缪的《局外人》发表于1942年，它被公认为是一部存在主义文学的范例，以及对现代哲学的一项重要贡献。
This artistic guidance only has auxiliary value in his early thoughts, but becomes indispensable in the later existentialist construction.
这种艺术性的指向在早期思想中只有辅助性的价值，而在后期存在论建构中则是不可或缺的。
Therefore it is very important to analyze the theme of Being and aesthetic significance of Nausea, in order to comprehend and study the school of existentialist literature.
因此，深入探讨《恶心》的存在主题及其审美意义，对于认识、了解和研究存在主义文学这一流派，是至关重要的。
German existentialist philosopher Martin Heidegger said: "Human beings are full of labor achievements, but also as the land of poetry as a living."
德国存在主义哲学家海德格尔说：“人类充满劳绩，但还诗意地安居于大地之上。”
Kierkegaard is regarded as the first existentialist.
克尔凯郭尔被看作是第一个存在主义者。
Ecclesiastes reads like an existentialist writing from the twentieth century.
传道书读起来简直就像，二十世纪实存主义的作品。
The present thesis aims at explicating the "authenticity" of Santiagos existence, through an existentialist reading of Hemingway s The Old Man and the Sea.
本文试图从存在主义角度解读《老人与海》，旨在阐释主人公圣地亚哥的存在之“本真”。
His thought is derived from Heidegger's existentialist philosophy, the young Marx's works, Hegel's thought of speculative philosophy and Freud 's works.
他的思想是以海德格尔的存在主义哲学、青年马克思的思想、黑格尔的思辨哲学和弗洛伊德的学说作为理论渊源的。
Or as existentialist Jean-Paul Sartre15 called him, "the most complete human being of our age?"
还是像存在主义者让-保罗·萨特所评价的那样，是“我们这个时代拥有最完整人格的人”？
This thesis takes these three basic views as the starting points and makes a thorough existentialist analysis of the French Lieutenant "s Woman."
本文就是以上述三种基本观点为出发点，对《法国中尉的女人》的存在主义特征作出了解读。
This thesis takes these three basic views as the starting points and makes a thorough existentialist analysis of the French Lieutenant "s Woman."
本文就是以上述三种基本观点为出发点，对《法国中尉的女人》的存在主义特征作出了解读。
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