The text of female writing is unique in the mainstream discourse society. The narration and consciousness it shows are also unique.
女性写作的文本在主流话语社会中是独特的，所表现出来的叙事、意识更是独特的。
Through the construction of women images, television media expresses various expectations for womens roles in the male-centered culture and the imagination and narration for women in mens discourse.
电视媒介通过对女性形象的建构，表达了男权中心文化对女性角色的种种期待，以及男性话语对女性的想象和叙述。
Based on news facts, news narratology carries out research in the aspects of story, discourse and narration of narratology.
新闻叙事学是以新闻事实为基点，运用叙事学理论，对叙事的故事、话语、叙述等三个层面展开研究的学问。
According to Michel Foucault's theory of power discourse, there exist in the two novels certain similarities in their titles, internalization, non-linear narration and redemption of the others.
按照福柯的权力话语理论，两小说在标题、内在化现象、非线性叙述和他者的出路等诸多方面存在思考上的相通点。
It analyses absurd narration on the level of text, plot, and discourse, and then summarizes the features of absurd narration.
从荒诞叙事的文本层面、故事层面、话语层面对荒诞叙事进行剖析，并归纳出荒诞叙事的特征。
This paper is trying to discuss on the story and discourse, and narrative line of the novella with some deconstruction theories, in order to find out some narration characteristic in it.
本文力求从解构主义角度对其故事和话语及叙事线索等进行讨论，力求寻找出一些康拉德在小说中叙事特点。
Of the various forms of discourse narration is perhaps the most familiar to us.
记叙文是我们最为熟悉的一种写作文体。
The dialogism of discourse of textual narration in the female novels is the combination of female literature wi th narrative discourse.
女性小说文本叙事话语的对话性是女性文学与叙事话语的契合。
In the narration of Shen Congwen's novels, the novelist's attempt to obtain the discourse power is the most striking characteristic.
在苗族作家沈从文的小说叙事中，作者对话语权利的争取是其最明确的特征。
His choice of the narrative viewpoint, and its shift in the narration just for him to determine his own position and his discourse power in the narration.
其叙事视角的选择与转换调整，都是为了确定自己在小说叙事中存在的地位，确定自己在叙事中的话语权利。
The Representation of Discourses in the Architectural Subject-Great Narration? Private Discourse? Or Business Operation?;
文化转型时期建筑创作主体话语的表征——宏大叙事?私人话语还是商业运作?。
The Representation of Discourses in the Architectural Subject-Great Narration? Private Discourse? Or Business Operation? ;
文化转型时期建筑创作主体话语的表征——宏大叙事?私人话语还是商业运作?。
The Representation of Discourses in the Architectural Subject-Great Narration? Private Discourse? Or Business Operation? ;
文化转型时期建筑创作主体话语的表征——宏大叙事?私人话语还是商业运作?。
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