There are passages of Melvillean-Faulknerian baroque richness and intensity in The Crying of Lot 49, and elsewhere in Pynchon, but we can never be sure that they are not parodistic.
很多段落具有梅尔维尔——福克纳风格的巴洛克式华美，以及品钦《拍卖第49批》等作品中的那种语言张力，但永远无法确定这些是不是一种戏仿。
Oedipa Maas in Crying of Lot 49 will sit upon a bluff overlooking San Narciso, and she'll look down at the pattern of light.
《拍卖第四十九批》里的奥狄芭·马斯会坐在悬崖上，俯瞰纳西索，她会向下看各式光的图案。
Oedipa Maas in Crying of Lot 49 will sit upon a bluff overlooking San Narciso, and she'll look down at the pattern of light.
《拍卖第四十九批》里的奥狄芭·马斯会坐在悬崖上，俯瞰纳西索，她会向下看各式光的图案。
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